Review – Itaewon Class

Itaewon Class. What a strange love story to Capitalism, am I right?

Here is how I imagine this drama was pitched between the writer and the studio executive.

Executive: “So what have you got there? You said it’s a revenge story set in the food industry?”

Writer: “Oh yeah. It’s gonna be great. We’ve got this stubborn, solitary guy who doesn’t need anyone’s approval, he’s just gonna go his own way and do what’s right. Stick to his principles. Never budge an inch.”

Executive: “Like a John Wayne type?”

Writer: “Teenage John Wayne.”

Executive: “But better looking than John Wayne.”

Writer: “Much better looking.”

Executive: “Who does he want revenge against?”

Writer: “A CEO of a worldwide food company. This guy is just super rich and powerful, so it’s gonna be hard to get revenge, ya know?”

Executive: “He’s gonna get his revenge by becoming rich too, right?”

Writer: “Of course. That’s how justice works.”

Executive: “It’s how product placement advertising works too. Sounds like a win!”

Social taboos unveiled in hit South Korean drama Itaewon Class ...

Itaewon Class had all the elements of a quality fairy tale K-drama: A strong archetypal hero with impeccable values and a heart of gold who rises over adversity, meets his goals, finds loyal friends and allies, and of course discovers true love. There was a nice sized cast of diverse characters with unique plot lines and motivations. I was interested in the fates of everyone I’d been introduced to, good and bad. It was far better than the majority of K-dramas I have seen in the past year and not bothered to review.

And yet it had serious problems. The last few episodes really let the foot fall off the gas pedal and the plotline slowed down considerably. Ironically, the most dragging episode was the finale – which had a preposterous amount of exciting things happening and somehow managed to muffle all the energy of the climax. And worst of all, in my opinion, there was the problematic underlining theme of the entire show. It’s what I like to call the Capitalist Dream, the lie we all tell ourselves: If you just work really, really hard then you can achieve anything. Entry into the golden palaces of the 1% is possible for anyone willing to work overtime. This idea has tucked the poor into bed since the dawn of time, soothing their anxieties about class inequality with a little fairy tale about how some people sneak into the castle… and get the prince to fall in love with them… and that could be you.

So, yeah, there were issues. But I still highly recommend this drama. It’s 16 episodes, which is a nice length for a series. They managed to fill each episode with enough plot that we didn’t have to over indulge in excessive flashbacks, pointless walking or staring scenes, or other fillers. It was lighthearted and funny at times without being silly or cartoonish. I especially enjoyed the spunky, quasi-sociopathic lead female. And who doesn’t love a good revenge story?

Itaewon Class – Overall Rating: 8.5/10. Feel-Good Capitalist Propaganda.

More – about characters and themes below. SPOILERS GALORE so watch the show first, my dear readers.

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Review – The Witch: Part 1. The Subversion

The Witch starts out with a bang – including eerie opening credits that feature archival (real or fake, who knows?) images of human experiments and cruelty: witch hunts, the Holocaust, and more. As if that didn’t set the tone enough, you’re then greeted with a ridiculously bloody aftermath scene. There is blood splatter galore, but all seems quiet… men with bats catch their breath as something or someone twitches underneath a tarp. You quickly deduce this facility has been experimenting on children and that one of them has escaped.  A cold, cruel-seeming woman shrugs it off, saying the child won’t live long anyways… and a blood soaked girl runs through the night.

The Witch quickly shifts from the dark, bloody, and tension filled opening to a misty morning on a small farm. An older man spots the runaway sleeping and scoops her up, calling for his wife as he runs towards the house.

Eight years later and our runaway is now a teenager. The country town is bright and filled with lovable characters. The movie is now about a young lady who is trying to help her aging parents as they deal with financial and medical problems. Our teen witch seems perfectly ordinary, a nice young woman who jokes around with her best friend and cares for her parents. Yet there is tension in the air, built with small hints that something dreadful is just around the corner… her increasingly crippling headaches… her unexpected participation in a national singing contest… her mysterious abilities. You know something is about to happen… but what? When? What sort of experiments were they doing in that creepy building from the opening scene? What sort of powers does our innocent girl have…?

I’ve watched this three times now and each time I marvel at how well crafted this film is. The balance of action and humor, the dark scenes and the light ones. Like a Cohen Brothers movie, this film is packed with side characters and each one of them is memorable. They’re given small character quirks, signature elements that make them distinctive. And they’re all drawn together at the end for a high stakes showdown between multiple parties with multiple interests. It’s bloody and violent without being shockingly so – and the end is satisfying while also leaving you wanting more.

Rating: 5 stars. Go watch it.

More musings on The Witch including SPOILERS…. so you are warned….

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