A LITTLE LIFE by Hanya Yanagihara

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The majority of this review will be in the spoiler section – down below – because I need to talk about this book, ramble and rave and rant.

Without spoilers – let me say this book is excellent. It’s thick, but it manages to flow smoothly from one section to the next.

There is a hook that will dig pretty deep into your subconscious, the mysterious past of one of the main characters, that will gently pull you, then drag you, then rip you out of the water as you struggle to regain your sense of reality. This mystery – and my burning need to KNOW WHAT HAPPENED, even as I knew that it would be awful and make me cry and I might regret finding out – is what truly made this book stand out from the crowd.

Like all the characters in the book, who also don’t know the secret the one guy keeps buried, but also got hints, that dared to imagine yet couldn’t quite ask outright, you are deeply, deeply compelled to reveal this mystery – even as you subconsciously shield yourself from it. There must be some psychology about this reflex – the need to know mixed with the instinct to remain ignorant. The reason we can’t help but look at car crashes, the ways it plays with our minds, the ways tragedy changes our view of things. It’s such a push and pull.

This book is a car crash you can not look away from.

And like a car crash, you will be forced to reflect on your life as you witness the decimation of others. Even though you most likely don’t know them – even though it doesn’t touch you directly – it is a shared fragility, our humanity. And how we think depends on where we are in the equation. Who are you in the scenario – The one driving the crashed car? The one driving by the scene? The one at fault in the accident? The one who walked away? The one would couldn’t? The one brought in to clean up the mess? The one who tries to get everyone around it moving again? The one who will report it? The one to examine the corpses? Inform the families? Cry at the funeral? The one who will remember that once they knew that person and now they are gone and be shaken by it? The one who will turn over to find an empty bed because of it? The one who will defend the guilty party in court? The one who will judge them? The one who will see only a singular mistake that cost so much or the one who will see only a slaughter that deserves retribution? And even as this web of interconnections spreads out and unites us all – it also thins out and we know the scene will be cleared, the departed put to rest, the fates of those affected will be altered but continue on, to new fates. And we will never forget. Or often forget. Or forget immediately. And all of those responses are correct.

This book is not, mind you, about a car crash. I mean it is. But it’s not.

This is a book about people. And how we are nothing to almost everyone, and yet how we are everything to ourselves and the few people whose lives intimately touch ours. It’s about how we get to know people and how we are never known. It’s sad and beautiful, because we are all such complicated messes. Our insecurities are deep and profound and stick with us throughout life, like a deep layer of skin we can never shed. It doesn’t matter how our personal insecurities compare to others – whether they are warranted, earned, deserved, or simply there. They are huge and they dictate our lives and are the shadow our bright suns fall into and escape from each day.

If you haven’t read it – well, you may not want to. Look at the cover. If that cover appeals to you – then you should read it. If you look at that face and think, “My God, what is this the cover image?” then perhaps it’s not. The book cover is perfect – a handsome face contorted in pleasure or in pain? Is that beautiful? Is that ugly? We always smile for pictures – or at least try to look attractively neutral. We are composed and presented – but we really can’t see what others see – what we look like when we’re caught in a moment. We don’t see ourselves when we’re lost in thought or crying or laughing or staring at a computer screen. So many things shape who we are. Our bodies. Our genetics. Our upbringing. Our experiences. We are inside and out, always.

Rating: 5 Stars.

So – let’s just… ditch the metaphors and get right into the mess.

Follow me to spoiler land…

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HALF BAD by Sally Green

“Later I remember what I could do. It’s easy. I could kill them all.” 
― Sally Green, Half Lost

Just finished Half Bad, by Sally Green. Hm… well, it was pretty good for a YA novel with a male protagonist. Very gritty – lots of violence and push ups and such. I’m not entirely sold on the entire set up: White Witches and Black Witches are at war for various reasons? Why again? Whatever… most YA novels don’t worry too much about plotholes, they are largely character driven. And the characters are pretty good.

Our hero, Nathan, is a half breed (white and black witch). Raised by White Witches who hate and fear him, (cause of his baddie daddy) and, uh, keep him in a cage – he eventually comes into his own and is currently deciding which team to play for, if any. Ironically (or not), he is also caught in a love triangle between his childhood sweetheart Annalise and his new roommate, Gabriel. Huh. I’ll probably read the next book since I brought it home… kinda curious now. I’m a sucker for the queerbaiting.

UPDATE: I finished this series today – the first book was decent, the second book was tolerable and the third, officially, was garbage that basically destroys my mild enjoyment of the first two books. I literally threw it. The ending sucked! It was absurd! I hated it. And honestly, I usually don’t bother reviewing books at all if I don’t like them… but whatever. I’m sticking to my guns and taking this series out.

RATING (Books 1-3 average): TWO STARS

Title: Half Bad, Half Wild, Half Lost
Author: Sally Green
Originally published: March 3, 2014
Series: The Half Bad trilogy
Genre: Young adult fiction, Fantasy, Horror

 

 

 

Review – Painter of the Wind

Review – Painter of the Wind

This is less of a review and more of me expressing my frustration over this drama. The costuming, the cinematography, the sets, the actors – all fantastic. The music was wonderful. It offered a nice twist on the cross-dressing girl trope. You had a lady  disguised as a dude so she could perfect her artistic skills and study the craft under the masters. There’s some royal conspiracies and a lot of fuss about a portrait of the prince, all of which was rather underwhelming and generic “historical political” hoopla.

My problem is this: Our female lead didn’t come across as a girl pretending to be a guy, in the style of this tried and true K-Drama trope. She came off as a cute, artistic lesbian. Thus my exasperation with this show. Painter of the Wind should have embraced its obvious natural direction and  gone gay. The entire show felt like an indie coming-of-age lesbian drama, but failed to fully embrace its already deliciously implied girl-girl romance and instead meandered around with an old man artist and attempted to go straight. Don’t they remember the lesson from art class… that if the straight line is long enough eventually it will curve? Come on!

 

Overall Rating – 2/10 For Not Coming Out of the Closet.

or…

Overall Rating – 8/10 If You Ignore The Lesbians And Watch It Straight. This is probably the more fair rating – cause it really is a lovely drama and the subject of old school painters is very interesting and beautiful to explore. But… I just can’t. Cause this is my blog and my review and fair is for love and war.  And this is war!

More bitching and moaning and some sexy photo stills and SPOILERS follow.

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That’s Gay! – K-Dramas, Putting the Q in LGBTQ

(Quick Note: I realize there are now some overtly, awesomely gay Korean Dramas. I wrote this post in 2017… so forgive me, but I haven’t had a lot of time to update it… I’m popping in links to new shows as I find them)

Let’s face it – there are a lot of gay-questioning dramas out there.  Okay, sure, they’re not implicitly gay;  Only recently have dramas crossed the purebred gay border, though their feature films have definitely made some expeditions to gay town in the past few years.  But it doesn’t matter if they’re gay or just questioning.  We love it!  Whether it’s one sided or misdirected, for comedy or for drama, for love or for money… K-Dramas are sprinkled with the gay rainbow.  And no one can deny it.

gay

Korean dramas often depict variations in sexuality, sex roles, sexual attraction, and sexual fluidity.  It’s an interesting juxtaposition to their seemingly strict gender assignments and homophobia… and/or perhaps a direct result of them.  Because the rules are there, it’s more fun to break them.

crossdressing

Gender Bending is popular in Taiwan too.

Off the top of my head – there are three excellent examples of LGB with a large emphasis on Q in K-World.  Cross-dressing is the biggest culprit in these same sex shenanigans – and, if we’re honest, the reason these dramas are so frequently made. It’s not all LGB with Q, of course.  There are plenty of examples of the T within various shows as well but as of yet not as the lead romance.  And even an A show now.

Let’s run through the questioning dramas together…

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