Review – When the Camellia Blooms

When the Camellia Blooms stars perennial favorite Kong Hyo-Jin as a single mom struggling to make ends meet by opening a bar in a small fishing town. As the majority of the women in the town are small business owners, the men flock to the new bar as the one place where they can get drunk without worrying about the prying eyes of their wives and relatives. Unfortunately, this does nothing to help our mom’s popularity amongst the community, who are suspicious of a young single woman anyways.

This is one of those shows were the main antagonist is other people’s prejudices (I mean, sure there’s a serial killer but I’ll talk about that mess in the spoilers section). It’s a very blunt exploration into the prejudices, contradictions, and difficult natures of human beings. It wasn’t a melodramatic exploration of human connections, like Angel Eyes or Will it Snow for Christmas or Just Between Lovers. It wasn’t as cute and playful in its depiction of adults struggling to find love and fit in, like Dear Fair Lady Kong Shim/Beautiful Gong Shim, Flower I Am!, or Heart to Heart. It was just kinda… good. Without being great. It wasn’t anything new, and yet it was enjoyable. You’re not gonna stay up all night to finish this one, but you’ll probably stick around until the end. This show will cause you to hate people. And conversely, to love them a little too. 

This screenplay won Best Screenplay at both the KBS Awards (2019) and the Baeksang Awards (2020), so I had high expectations of a well-crafted drama full of memorable characters and a tightly laced plot. I dunno… I guess it was a weak year, cause if this is the best they’ve got, that’s not saying much.

This is not to say there weren’t moments of sparkling dialogue – cause there were a few: 

We also got this perfect line of dialogue:

Writer Im Sang-Choon also wrote Fight My Way, which I thought was better. Also not perfect, but definitely more enjoyable over-all. 

More often than not, When the Camellia Blooms felt like a drama that was supposed to be set in the 80s. Before cell-phones. Before late-stage capitalism took over the country. Before the internet. The behavior of everyone reeks of the old-fashioned stigmas of the 20th Century – the stigma of unmarried mothers, the ability to “disappear” in a small country, the weird detail that none of the women ever stepped foot in the bar they were so all so suspicious of to check on their husbands (as if ladies going into a bar was too scandalous to consider!), and the fact everyone commonly associated bar owners with prostitutes. How ostracized orphans were (by adults, too, and openly!). How the police work to solve crimes was also incredibly old fashioned and low-tech. How no one ever checked the internet or their phones for immediate information, entertainment, and social connections. I mean… video arcades were still a thing in this drama… yet at some point, a kid has a gameboy… I dunno, it was all over the board. So I assumed, for a while, it was set in the past… but then they ruined it with occasional references to Instagram and cell phones. So  either it was just a mess to begin with or the producers changed the setting at the last minute to accommodate more advertisers. I suspect it was the latter.

So… 

Overall Rating – 7.5/10. Cranky Locals Learn to Love the Town Outcast.

SPOILERS & MORE RAMBLINGS ON CHARACTERS FOLLOW

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Review – My Mister

Review – My Mister

Holy shit, somone give this show all the Korean Oscars known to man.  The nuances in the characters – the extended scenes in which nothing is happening, expect what’s happening in their head, reflected on their faces – holy God!  This is mesmerizing tv.  Not only is it an interesting plot – and unique – but it’s sooo subtle.  It’s slow, but in the best simmer way.  There are main characters, but even the side characters are massively important to you while viewing.  Everyone is connected, developed, full of their own stories and pain and personalities.

If you’ve already watched this amazing show, you know those moments where (anyone of) our characters are on the phone, holding back everything, but the person on the other end knows them enough to know what their sighs or hesitations mean… that slow motion development of inner conflict without words… Jesus.  It’s good.  Even if the plot had sucked (and it didn’t), I would have been won over with the character development.  Escaping obvious tropes and cliches, the people in this show suffered silently and then together and then silently again.  Family, friends, lack of, all determined how they approached letting people in.  And letting people in – really in – to your inner world was the key focus of this show.  The few people who break down your barriers, or who you surrender your castle to, these are the people who really know you and who also can really hurt you.  They are your true reflections.

Overall Rating – 9.5/10.  Being Jealous of a Close Knit Community of Alcoholics for 16 Episodes.

More thoughts on plot and characters – which include SPOILERS… below….

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