Review – The Penthouse Season 1

The Penthouse. Oh, The Penthouse.

You know when you were a kid and you wanted to mix all the drinks in the soda dispenser at restaurants? We called that concoction a “Kamikaze.” Most people called it a “Suicide,” or… if you’re from the Midwestern region of America, maybe a “Graveyard.” You basically murdered your tastebuds by including everything. And yet… as a kid… you didn’t care. You were gonna do it and you were gonna drink it and it was glorious. It was muddy, bubbly, excitement in a plastic glass. The Penthouse is the Kamikaze of Korean Dramas. It’s terrible. Just… awful. Just fantastically, gloriously, bad. And you’re gonna love it.

The Penthouse is the drama we all needed during lockdown. When you’ve been stuck in your home for days, weeks, months, and everything just seems… overwhelming and yet boring, too much and too little at once… when the globe huddles together as shivering creatures susceptible to germs and you’re painfully reminded of your squishy organic humanity… then you seek escape. You want as far from normal as you can get. You find yourself watching Tiger King or… The Penthouse.

What is more distant and alien than insanely rich people living in luxurious, high rise condominium suites, far above the rules that govern normal society? What could be more niche than… opera?

If you’ve read some of my other reviews, you may have noticed I have a soft spot for melodramas. The more outlandish and ridiculous the plot twists and turns, the better. Grudges passed down through the generations, baby swapping, secret identities, cruelty, fits of rage and passion, character’s breaking up, breaking down, and breaking everyone around them as they lash out in the shallow waters they are drowning in… I live for it.

Melodramas are a required taste and have to find us when the mood is right. Was it a coincidence that How to Get Away with Murder also premiered during a global virus outbreak? If you raised a skeptical eyebrow at my pandemic analogy, then you may not be in the mood for The Penthouse. However, if you find yourself watching a bunch of videos on cults, conspiracy theories, and secret cabals that pull at all the hidden strings of the world… then you may be in the right frame of mind. If you find yourself thinking, “Maybe lizards do run the government,” or “I wonder if my backyard is big enough to house a pet tiger,” or “Is some corporation using my social media data to create clones?”… then the iron is hot and you are ready for a good melodrama to strike!

Melodramas thrive in toxic environments. They are irrational. They are the shapes you interpret in shadows, more about the implication of an idea over substance. You know it won’t stand up to scrutiny and so you purposely avoid turning on the light, willing to suspend belief. And if you hang around in the darkness long enough, your eyes adjust and maybe you forget the light switch is only a few feet away…

Melodramas are best enjoyed when you’re feeling subconsciously vulnerable. You aren’t going to learn a valuable lesson or muse about the subtle nuances of life while watching a melodrama, after all. Melodramas are not meant for self-reflection. They are a funhouse mirror, something so grotesque and fascinating that you can’t help but smile at this bizarre distortion of reality they present you.

Melodramas can be the only drink that transports you to the mentality of childhood innocence, back to a time when you could run through the house with your plastic toy dinosaur and lay waste to the imaginary cities around you. To the drama of your pastel princess dolls who ruled kingdoms, raised families, and then became rock stars in the course of a single afternoon. To the improbable wars of action figures and transforming alien robots. Where you can enjoy the godlike powers of ultimate creation and use them in silly, overdramatic ways without guilt or shame or justification of your outlandish plotlines. No one watches a child play and criticizes their worldbuilding skills. You just vicariously enjoy their enjoyment.

The Penthouse gives you both and adult melodrama and a teen melodrama simultaneously.

If someone is going to make a mistake in this show, it will be on stage or in front of a large group of people who will collectively gasp in horror. Think of any common nightmare scenario (like being chased by a killer, falling from great heights, public speaking, being late for a big test) and multiply it by ten. Think of day time soap operas and then boil them in a pot with Latin American telenovelas. Think of having one major problem, then continue to wrap more problems around it, as many as you think of, until you have this big, crazy, hard asteroid of problems.

Here is a visual representation of the plotline of The Penthouse.

Don’t try to make it useful or decorative or anything other than what it is. A big mess. Why would you want to untangle that? The individual problems have become warped and stretched out and absorbed into the whole. It’s a colorful disaster now and useful only as a weapon… (otherwise it’s just an embarrassing reminder of time wasted… so you gotta hurl it at someone… how else are you gonna get rid of that thing? call it self defense… call it… survival… but it’s gotta go and you know it’s gonna hurt someone on the way out… but… well… what other option do you have? Self destruction is sometimes instinctual. Humans are weird, friends, that’s all I know. We are strange, strange creatures).

If you’re expecting me to talk about the plotline or the characters… well… I have been.

I have not started Season 2 yet. I’m honestly not used to having a second season of a Korean drama and rather enjoyed the unexpected ending of Season 1. But I’m sure I’ll get around to it eventually and it will be just as fun.

Rating – 9/10. Setting off Fireworks Inside a Panic Room & other Bad Decisions with Colorful, Dangerous Results.

Review – Come & Hug Me

Come & Hug Me. What should have been a 10/10 winner – combining psychopathic serial killers, star-crossed lovers, fractured families, societal judgement, and a thrilling story of cat and mouse… barely made it to 7.5/10 due to its excessive use of unnecessary flashbacks, painfully long sequences of staring and slowly rotating cameras, faulty dialogue (and lack thereof), and jarring tonal shifts. Let us all examine this tarnished show as what happens when editing goes wrong.

 

Which poster most accurately represents Come & Hug Me? Unfortunately, they both do… and that’s a problem.

Korean dramas have mastered the art of blending genres – especially when it comes to mixing dark plotlines with beautiful romances. Think of Pinocchio, for example. This is a masterpiece of blended genres – adorable, genuine romance – gritty, urban crime – melodramatic, dark pasts coming to light – and an unflinching commentary of modern society. It had a large cast and plenty of subplots and characters to follow around and not a wasted minute in the entire show. There are also dramas like Just Between Lovers, that kept everything close to the main couple and focused heavily on their inner turmoil, tortured pasts, and slow healing from severe trauma. I Remember You has not one, not two, but three serial killers, a boat load of family trouble, and a whole mess of relational, dark plotlines and it still gave us a swoon worthy romance. These were tightly paced, well plotted shows worth every award and accolade given to them.

So it can be done, this contrast of light and dark. It has been done. Come & Hug Me just didn’t manage to do it and that’s a shame. It felt like a significant chunk of the writers quit halfway through the project. Or maybe the studio said, “I love this 12 episode drama – let’s make it 32 episodes!” and then tossed it to an editing crew to pull on it like taffy. There were sooo many spaces that just felt empty, drawn out, padded, and needlessly prolonged. Every character in it could have used additional development – there were plenty to choose from, too. It would have been easy to tighten this drama into a finely crafted show. Instead, it just unspooled into a mess on the floor.

The plotline of Come & Hug Me is amazing, though, and thus despite its many editorial flaws and awkwardness, it’s impossible to deny the plot is pure melodrama. It’s a blood soaked cocktail of murder and romance and that just so happens to be my favorite drink… so let’s discuss…

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Review – The King Loves / The King in Love

Review – The King Loves / The King in Love

This drama was divine.  It took your basic love triangle and raised it up to levels of discomfort, pain and joy that I don’t recall ever experiencing in another drama.  Kings are always lonely, isolated people – by design – the people they can trust or count on are few and far between.  In this story, our King had one friend.  One.  So when they both fall in love with the same woman… cue the twenty hours of beautiful agony this show will provide.  I think what made this particular love triangle special was that our lady in the middle really loved both men.  She just happened to love one of them a little more…

Add to that some outstanding political intrigue – none of the boring filler that so often accompanies historical dramas – and brilliant side characters – and you’ve got yourself a historical drama that stands above others.  Let’s not forget how freakin’ sweet this show was!  So many sweet moments.  And tons of genuine humor, too.  There was a great mix of everything, honestly.  Gorgeous cinematography,  detailed costuming, and a complicated but tightly woven plotline that deeply satisfied.  Until the very end.  The very bitter end.  Cause… only one of these absolutely lovable men is getting the girl, after all.  And your heart is going to break for the other dude.  It wouldn’t have mattered which one.  That’s why this drama was amazing… it was a win-win and a lose-lose either way…

Overall Review – 9.5/10.  Love Is A Game That Demands Losers.

More musing on heartbreak, some spoilers, and character thoughts follow… let’s dive in.

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