Here are some other K-Dramas I watched this year (most of them from 2024) that were good, decent, or I dropped. None of these were worth a full review, in my opinion, but there were quite a few that I truly enjoyed this year.
Dramas listed in alphabetical order.
The Atypical Family (2024) – Overall Rating: 7/10.

I’m popping this up to a 7 only because the plot line was truly unique. I’m not interested in super hero stories, but I liked this drama as it showed how super powers would most likely be used by more “average” people. You know, basically for self-serving reasons only, which seemed pretty honest. The romance was below-average, but the familial relationships made up for it – in particular the father-daughter relationship and the unusual relationship between the leading lady and her thug mother.
Black Out (2024) – Overall Rating: 9/10.

This is a dark themed show that does not let the light in. If you like dark crime shows or intense murder mysteries, then this one is for you! I loved it, even though it was depressing as hell. Reminded me of a Nordic murder mystery… cold… bleak… and compelling.
Blood Free (2024) – Overall Rating: 7/10.

Probably deserves a lower score, but the concept was amazing. Set in the near future, when scientists have perfected creating meat and fish products in a laboratory and are about to start tackling manufacturing grains. It dived into the inevitable backlash of such a breakthrough: the protesting farmers, the suspicious consumers, the fight to keep the science proprietary. Ya’ll know mad science is one of my all time favorite genres, so I was having a ball! A stoic bodyguard lurking around all sexy in his tailored suit and a hardened business woman with a secret laboratory? The K-2, anyone? Sigh. The side characters had more personality than the two leads, unfortunately, and the plot didn’t really pick up the pace until the final episodes, but I still enjoyed this short drama and hope there will be a second installment.
Call It Love (2023) – Overall Rating: 7/10.

This should have been one of my favorites, as I love stories exactly like this, but somehow it just didn’t climb to the top of the ladder for me. I’d still definitely recommend it if you are a fan of slow-burn romances and complicated family melodramas. I admit I enjoyed watching the sad, overworked and overburdened daughter falling in love with the sad, pitiful rich boy with a terrible haircut (their chemistry was not electric, but it didn’t detract from the romance either). This drama has all the requirements for a good melodrama: selfish parents who put themselves before their families, best friends who show us different sides of main leads, side romances that are equally interesting to watch unfold, and overdramatic family situations that keep the tension high.
Connect (2022) – Overall Rating: 7/10.

It’s so weird that I loved it. More mad science! Horrah! This is a show for people who like to read comic books. Or anime. The plotline does not feel realistic in any way and seems better suited as visual storytelling. It’s got human beings that have been enhanced so that they can never die, their body parts just piece themselves back together if removed. It’s got serial killers and illegal organ harvesting and art students. It’s got eerie vibes… icky elements of science fiction body horror… and artistic serial murders in the style of the Hannibal tv series. It’s not a satisfying plot nor does it have satisfying character development or relationships. It’s just like reading a quick gory one shot manga. A fun snack. If ya like that type of thing, then you might like this.
DoDoSolSolLaLaSol (2020) – Overall Rating: N/A.
I was really enjoying this until I found out the leading man was a teenager and then it just felt too creepy to continue. I work with teenagers. It just crossed over one of my mental lines and I could no longer enjoy it.
The Frog (2024) – Overall Rating: 7/10.

A surprise, for sure. And a must watch for thriller and mystery lovers. Two murders in two different locations within the same small town at two different times. We get to watch and discover how these separate events overlap and unfold as the tension slowly builds and escalates each episode. But I think if you’ve seen it, you know the leading female carried this entire show on her psychotic shoulders. I can’t say I will ever watch this show again, but I will confess I was spell bound by the insanity. Kim Yoon Suk deserves an Oscar for her performance. She was truly unhinged.
The Golden Spoon (2022) – Overall Rating: 7/10.

I think we all know how obsessed the Koreans are with their insanely rich people. They both love them and aspire to be them while simultaneously loathing them and imagining their lives are nothing but shallow and meaningless. This is yet another story that plays with that theme, but I had a good time watching this story of two boys from different economic classes switching places. It had a few surprises and kept me guessing how it would all end. These types of stories pop up nearly every year with varying success (The King’s Affection, The Crowned Clown, Reborn Rich, and so on).
High School Return of a Gangster (2024) – Overall Rating: 9.5/10.

I really had a blast with this show. It was shamelessly stripped of all its gay elements, which is insane as it’s based on a popular BL, but… I don’t think I mind. The original story was a bit problematic, honestly, with a man in his 50s taking over the body of a bullied high school kid and then getting romantically involved with a teenage boy. So for once I was happy to have that aspect toned down, as it just seems weird no matter how you look at it.
Age differences are okay with immortal creatures or monsters but a regular middle aged gangster dude falling in love with a teenage boy was too much for me to get behind. That’s a 30+ year age gap, people, and predatory.
I like that instead they hinted at a suppressed love between the gangster and his right-hand-man gangster dude (played by Won Tae Min who was in my favorite BL of the year The Time of Fever). And the show made it clear that the bullied boy was definitely queer, and thus the confusion of the other young male lead who now sees an old dude staring at him through the boy’s eyes instead of a besotted teenager.
It was short and fun and I was grateful to have a “lesson of the day” type storyline without the usual preachy tropes. This story kinda broke the mold a bit. Feel good but also a realistic portrayal of how a middle aged man would tackle scrappy teenagers and a second chance at life… (as realistic as you can be with the premise).
A Killer Paradox (2024) – Overall Rating: N/A. I dropped this one too, though I love the actors in it. It just felt too similar to other shows and I couldn’t make it past episode 3.
Love Next Door (2024) – Overall Rating: 7/10.

It was cute. I enjoyed the families and the romance. But it didn’t endear itself to me like other romances have in the past. Still… a solid choice for those seeking a cozy family comedy/drama with a sweet friends to lovers romance.
Love Song for Illusion (2024) – Overall Rating: 7/10.

It’s a messy story, but I had so much fun watching Park Ji Soon bounce between the two “personalities” of his character that I cannot complain. I will say my engagement with the story dropped significantly around the halfway mark. Thankfully it was only 16 episodes. Not much of a romance, but the story of the prince and his fractured psyche really drew me in.
Lovely Runner (2024) – Overall Rating: 6/10.
I was soooo into this. And then I just wanted to throw myself out of a window cause it was toooo much. Too, too much. Like caricatures of caricatures. The cheesiness overwhelmed me. It took me forever to finish this one, I had to force myself to go back.
My Sweet Mobster (2024) – Overall Rating: N/A.
It started out cute. But I got bored with it quickly.
Racket Boys (2021) – Overall Rating: 7/10.

In the mood for a feel-good show about a bunch of people in a small town coming together to support a small group of boys play badminton? A wonderful slice-of-life show about friendships and family.
A Shop for Killers (2024) – Overall Rating: 7/10.

I had a good time with this one. It’s simple and violent. A young lady discovers her uncle was an arms dealer after his death – and has to fight to protect herself as various members of the underworld try to take over the business. A perfect cat and mouse action show that filled up an afternoon. If you liked Hanna or even La Femme Nikita, you’ll probably enjoy this.
Sweet Home Season 3 (2024) – Overall Rating: 6/10.
Sigh. I still love Season 1, I think it’s one of the best horror k-dramas of all time. Honestly, one of the best horror dramas from any country. But Seasons 2 and 3… total let down.
Under the Queen’s Umbrella (2022) – Overall Rating: 7/10.

A solid historical drama and yet another one that just didn’t quite land for me personally. I think if I had not seen dozens of other historical dramas, this one would be an all time favorite. It was a unique angle for palace politics. I don’t think I’ve ever seen a drama about the problems of not preparing all your royal children to be crown prince candidates before. I enjoyed the brothers and the queen really shined with her bestie palace maid. There are no filler episodes, the story builds over the season, and the character development is quite good. Check it out.
Call it love deserves rating rise for the cinematography alone imo. Sometimes it might seem slow, but director says a lot through eg. usage of colours. I’ve finished 30+ kdramas and this one is extremely slow burn, but when the emotions finally came out it felt so cathartic to me. I wouldn’t call many kdramas artistic, but this one 100% would be one (the ending scene for example). Lot of showing, less telling. I’d recommend giving it a rewatch some day.
All I remember of the cinematography in Call It Love was it was very pink and soft. But I really like the acting of the male lead, so I’m sure I will rewatch this eventually (and you’re right, my rewatch may indeed improve my rating). 🙂