Review – The Penthouse Season 1

The Penthouse. Oh, The Penthouse.

You know when you were a kid and you wanted to mix all the drinks in the soda dispenser at restaurants? We called that concoction a “Kamikaze.” Most people called it a “Suicide,” or… if you’re from the Midwestern region of America, maybe a “Graveyard.” You basically murdered your tastebuds by including everything. And yet… as a kid… you didn’t care. You were gonna do it and you were gonna drink it and it was glorious. It was muddy, bubbly, excitement in a plastic glass. The Penthouse is the Kamikaze of Korean Dramas. It’s terrible. Just… awful. Just fantastically, gloriously, bad. And you’re gonna love it.

The Penthouse is the drama we all needed during lockdown. When you’ve been stuck in your home for days, weeks, months, and everything just seems… overwhelming and yet boring, too much and too little at once… when the globe huddles together as shivering creatures susceptible to germs and you’re painfully reminded of your squishy organic humanity… then you seek escape. You want as far from normal as you can get. You find yourself watching Tiger King or… The Penthouse.

What is more distant and alien than insanely rich people living in luxurious, high rise condominium suites, far above the rules that govern normal society? What could be more niche than… opera?

If you’ve read some of my other reviews, you may have noticed I have a soft spot for melodramas. The more outlandish and ridiculous the plot twists and turns, the better. Grudges passed down through the generations, baby swapping, secret identities, cruelty, fits of rage and passion, character’s breaking up, breaking down, and breaking everyone around them as they lash out in the shallow waters they are drowning in… I live for it.

Melodramas are a required taste and have to find us when the mood is right. Was it a coincidence that How to Get Away with Murder also premiered during a global virus outbreak? If you raised a skeptical eyebrow at my pandemic analogy, then you may not be in the mood for The Penthouse. However, if you find yourself watching a bunch of videos on cults, conspiracy theories, and secret cabals that pull at all the hidden strings of the world… then you may be in the right frame of mind. If you find yourself thinking, “Maybe lizards do run the government,” or “I wonder if my backyard is big enough to house a pet tiger,” or “Is some corporation using my social media data to create clones?”… then the iron is hot and you are ready for a good melodrama to strike!

Melodramas thrive in toxic environments. They are irrational. They are the shapes you interpret in shadows, more about the implication of an idea over substance. You know it won’t stand up to scrutiny and so you purposely avoid turning on the light, willing to suspend belief. And if you hang around in the darkness long enough, your eyes adjust and maybe you forget the light switch is only a few feet away…

Melodramas are best enjoyed when you’re feeling subconsciously vulnerable. You aren’t going to learn a valuable lesson or muse about the subtle nuances of life while watching a melodrama, after all. Melodramas are not meant for self-reflection. They are a funhouse mirror, something so grotesque and fascinating that you can’t help but smile at this bizarre distortion of reality they present you.

Melodramas can be the only drink that transports you to the mentality of childhood innocence, back to a time when you could run through the house with your plastic toy dinosaur and lay waste to the imaginary cities around you. To the drama of your pastel princess dolls who ruled kingdoms, raised families, and then became rock stars in the course of a single afternoon. To the improbable wars of action figures and transforming alien robots. Where you can enjoy the godlike powers of ultimate creation and use them in silly, overdramatic ways without guilt or shame or justification of your outlandish plotlines. No one watches a child play and criticizes their worldbuilding skills. You just vicariously enjoy their enjoyment.

The Penthouse gives you both and adult melodrama and a teen melodrama simultaneously.

If someone is going to make a mistake in this show, it will be on stage or in front of a large group of people who will collectively gasp in horror. Think of any common nightmare scenario (like being chased by a killer, falling from great heights, public speaking, being late for a big test) and multiply it by ten. Think of day time soap operas and then boil them in a pot with Latin American telenovelas. Think of having one major problem, then continue to wrap more problems around it, as many as you think of, until you have this big, crazy, hard asteroid of problems.

Here is a visual representation of the plotline of The Penthouse.

Don’t try to make it useful or decorative or anything other than what it is. A big mess. Why would you want to untangle that? The individual problems have become warped and stretched out and absorbed into the whole. It’s a colorful disaster now and useful only as a weapon… (otherwise it’s just an embarrassing reminder of time wasted… so you gotta hurl it at someone… how else are you gonna get rid of that thing? call it self defense… call it… survival… but it’s gotta go and you know it’s gonna hurt someone on the way out… but… well… what other option do you have? Self destruction is sometimes instinctual. Humans are weird, friends, that’s all I know. We are strange, strange creatures).

If you’re expecting me to talk about the plotline or the characters… well… I have been.

I have not started Season 2 yet. I’m honestly not used to having a second season of a Korean drama and rather enjoyed the unexpected ending of Season 1. But I’m sure I’ll get around to it eventually and it will be just as fun.

Rating – 9/10. Setting off Fireworks Inside a Panic Room & other Bad Decisions with Colorful, Dangerous Results.

Review – Extra-Ordinary You

Extra-Ordinary You was one of the best teenage romantic comedies I have seen in years – for about 20 episodes. The last twelve episodes of this show slid quickly into “good but nothing special” territory for me, feeling repetitive, unnecessary, and considerably less exciting. This is not to say I didn’t still enjoy it, even after the sudden and steady decline of my attention span. Cause I did. Honestly. And when nearly 3/4ths of your drama is amazing, then you really can’t complain too much as you’re already doing better than most shows.

Even the long haul eps at the end, where the first had gone out, where still entertaining enough that I continued watching. Frankly, I felt I had to. The mystery of the show was compelling enough that I could not let it go without the answers I was promised.

The story is thus: A quirky, popular young lady has suddenly started losing track of time. Hours pass and she has no memory of what happened in between. Then, mysteriously, she begins to notice strange patterns – amongst her friends and her routine. Things repeat themselves. Her world seems in flux. What’s going on? Our heroine discovers she is a character in a graphic novel – and now that she’s become self aware, she is able to experience life “between the panels” when the story is not directing her (and everyone else’s) action.

It’s a really fun concept. A similar story line was W, the 2016 hit series that was also really great for quite a long time before kinda dragging on a bit too long for it’s own good. If I had to choose between the two, I would pick W because it was a more expansive story, but Extra-Ordinary You finds is place in the pantheon of cute romance dramas with just enough conflict, love-triangles, bullies, and generalized school intrigue to keep you entertained.

Though the entire series takes place inside a graphic novel – it’s surprisingly “fantasy light.” The drama doesn’t spend much time musing on the particular physics or mysticism involved in this world, nor does it bother to explain how its possible or what controls it. Why are these imaginary characters able to become conscious? What does that mean about the creator of the characters or the world itself? Is this a reincarnation metaphor or meant to provoke us to think about the uncanny nature of religious beliefs, mortality, the broader expanse of the universe, or the vast unknowns of life? Uh, no. This is definitely not a philosophical show. There is no social commentary. It’s pretty much surface level only, and the surface level is very brightly colored. I think if you scratched at the layer, you’d just smell bubblegum. The “but how though?” question remains unanswered, and I suppose it really didn’t matter in the end as it never bothered me much. It’s a cheesy teen romance. It may have been more… maybe… once… there do seem to be hints at more… but nope. It’s just a collection of tropes and cuteness that’s dressed up in a new style.

I’d considered writing a more lengthy review – about the characters and the concept – but could not motivate myself to do so. The teenagers are all lovely and immaculate in their perfect white uniforms. The school is some insane stylized mansion-esque place, always spotless and expansive. The light is pure. The rain is romantic. Hospital rooms are enormous and comfortable. The streets are generic. The angles of the camera mimic typic manga style – with lots of straight on shots, a few up and down views inbetween, and plenty of focus on the dreamy faces of the leads. It’s a graphic novel, after all, a modern fairytale, so everything worked or was easily excused.

The less you know going in, the more you will enjoy it.

It was a perfect escape and exactly what I’d been craving but didn’t realize it. Something comfortable but just different enough that I didn’t immediately recognize it.

Overall Rating 8/10. A Happy Escape into a Romantic Dreamworld of Teenagers.

Review – Awaken

Awaken was one of those rare dramas that tagged all of my favorite tropes. Compelling, badass male lead with swagger and a secret past? Check. Courageous, self-reliant badass female lead? How about two? Check, check. Is there a complicated “murder wall” with a bunch of photos and papers tacked up that someone obsesses over?  Oh, we’ve got two of those too. It’s gonna blow your mind. Check, check. How about ominous overtones of dark forces, corruption, and shocking evildoing lurking just below the sunny surface of Seoul? Check, check, check. Really cool synth music that sets a tone and doesn’t overpower? Check, baby. What do you think this is, Prisoner with its overly bombastic soundtrack that makes every episode feel like a cartoonish Scooby Do cartoon? Heck no, this is the cool Namkoong Min show. We’re all synth and slink here. 

I stayed up into the wee hours of the morning to finish this series, hooked from the opening shot and not content to leave the couch until I had all the answers to the mystery.

Namkoong Min once again proves he’s A-List All the Way with this stellar performance as a chief detective with a secret agenda. Does anyone swagger more than Namkoong Min? Maybe Kim Na Gil, back in the day… but otherwise, no. No one. Namkoong swaggers into every scene, sucker stuck in his mouth, zero tension in his body but you can sense all the action churning around in their minds. His eyes are alert and constantly assessing while he leans comfortably into walls. You know he’s aware of everything, that he hasn’t missed a clue, but you also know he’s not about to clue you in on that fact unless it serves his purpose.

Can I just say now that I am deeply annoyed GIFs are no longer supported through my website software? Cause I saved about a dozen gifs of Namkoong Min just slinking about in this show, grinning and causing trouble and looking cool as hell.

The man was born for this role. He’s just such a cool shark, gliding through the waters. 

The female leads were also outstanding. 

We get our cool as a cucumber FBI agent from America – incredibly intelligent,  gorgeous, and blunt.  She’s level headed and practical and detail oriented… 

She’s also socially awkward and suffering from ever-increasing OCD behavioral ticks…

the exact opposite of our second female lead, who is impulsive, outspoken, and a bit insecure of herself around our male lead and the new FBI lady.

But the girl can kick ass and run for miles without slowing down. She’s so feisty and headstrong, I loved her! 

To balance out our enigmatic male lead we got two competent and unique female characters, each with their own agendas and stakes in the plot. 

And oh what a plot!

As it’s a mystery-thriller, so I will not dive into spoilers or a long analysis of the series. Instead, I’ll give you a basic outline.

26 years ago, something horrible went down at hospital/research facility. This is the opening scene of the drama – and quite a shock! People are randomly attacking each other and/or committing suicide – all with pleasant smiles on their faces as the facility goes up in flames around them. Here in the fiery inferno of madness, we find three children, seemingly unaffected by whatever is happening to the adults. One of them gives us a creepy speech: 

I am standing on an empty road all by myself. The sun is shining brightly, and the clock that’s never wrong says it’s 12. Then, I wonder to myself, “Is it noon or midnight?”

 

What does that mean?! It was cryptic and enigmatic and had me totally hooked. I don’t know about you… but I was ready to settle in for the long haul after that scene. What in the world just happened? Who are those kids? What sorta freaky facility is this and what were they up to?

Welcome to the White Knight Village!

This is the foundational mystery of the series – and you will have a very good time finding out the answers.

This drama is “Sci Fi Light,” as I like to call it. There’s some science fiction elements… with mad scientists and nefarious human experimentation projects… but it does not lean too heavily into this aspect. Awaken is not the Avengers, after all, oh no no. None of that bash you in the face with it, spell it out for you in block letters, overt American-style super hero nonsense here, oh no no. Awaken is gonna sneak it in subtly, little hints here and there. You might even forget you’re watching a science fiction show for a while, distracted by the police procedural elements or the human relationship drama… but then it reminds you. It gives you chilling backflashes, suspicious “something ain’t right about that” scenes, creepy lingering stares filled with subtext, layer by layer as you get closer to the dark heart of the mystery behind the White Knight Village and the massacre you witnessed in the first episode.

I absolutely LOVE the slew of mad scientist storylines coming out of South Korea in the past year or so. That’s a trope that never gets old, in my opinion. With all the miracles of modern technology and medical sciences, it’s frankly shocking we don’t have more of these dramas globally.

On a more random note, perhaps, I’m pleased that South Korean mad science shows don’t try to convince us of the realism of their experiments, either. There is nothing more annoying than pandering to the small percentage of fans who are gonna pull out their dry erase markers and draw us a diagram of how and why some mad scientists’ project is unrealistic and thus deserving of scorn. I don’t care in the least if genetically altering humans isn’t plausible. No one stopped enjoying Spider Man or the Hulk because they thought the science behind their transformations was faulty.

The more outlandish and overdramatic the science project the better, in my opinion. I want secret laboratories and mad scientists with wild hair and white coats who make grand speeches about why they’re destined to control nature and bend it to their wills. I want unrealistically dark corridors and medical wings with no overhead lighting. Give me brains floating jars and syringes full of neon green liquid! (speaking of – we’ll get into this more with my review of L.U.C.A.: The Beginning… which I am L.O.V.I.N.G.: Every Minute of It).

This series had deliciously devious villains. Each of which were as enthralling and complicated as the protagonists. Let’s face it, we’re all suspect of rich people… so it’s not a stretch of our imaginations to believe they’d be up to no good.

Though I’ve seen this listed as a romance… I’d be reluctant to call it that. It’s got romantic elements, for sure… with some serious simmering stares and pining from afar, but you’re not gonna have any piggy back rides or hangover soup scenes with this show. They’re all too busy trying to stop people from spontaneously committing suicide and keeping secret organizations from taking over the world to have time to go on dates or make out in an alley way. Which is honestly a little unfortunate, cause they could have squeezed it in. There was room. They made it work in other dark mystery dramas like Hello Monster, so I know it can be done. But c’est la vie. It’s my only gripe and really more of a side note.

So go watch Awaken! It was great.

Overall Rating: 9/10. Secret Science Projects of the Wealthy Elite and Why to Fear Them.

Review – When the Camellia Blooms

When the Camellia Blooms stars perennial favorite Kong Hyo-Jin as a single mom struggling to make ends meet by opening a bar in a small fishing town. As the majority of the women in the town are small business owners, the men flock to the new bar as the one place where they can get drunk without worrying about the prying eyes of their wives and relatives. Unfortunately, this does nothing to help our mom’s popularity amongst the community, who are suspicious of a young single woman anyways.

This is one of those shows were the main antagonist is other people’s prejudices (I mean, sure there’s a serial killer but I’ll talk about that mess in the spoilers section). It’s a very blunt exploration into the prejudices, contradictions, and difficult natures of human beings. It wasn’t a melodramatic exploration of human connections, like Angel Eyes or Will it Snow for Christmas or Just Between Lovers. It wasn’t as cute and playful in its depiction of adults struggling to find love and fit in, like Dear Fair Lady Kong Shim/Beautiful Gong Shim, Flower I Am!, or Heart to Heart. It was just kinda… good. Without being great. It wasn’t anything new, and yet it was enjoyable. You’re not gonna stay up all night to finish this one, but you’ll probably stick around until the end. This show will cause you to hate people. And conversely, to love them a little too. 

This screenplay won Best Screenplay at both the KBS Awards (2019) and the Baeksang Awards (2020), so I had high expectations of a well-crafted drama full of memorable characters and a tightly laced plot. I dunno… I guess it was a weak year, cause if this is the best they’ve got, that’s not saying much.

This is not to say there weren’t moments of sparkling dialogue – cause there were a few: 

We also got this perfect line of dialogue:

Writer Im Sang-Choon also wrote Fight My Way, which I thought was better. Also not perfect, but definitely more enjoyable over-all. 

More often than not, When the Camellia Blooms felt like a drama that was supposed to be set in the 80s. Before cell-phones. Before late-stage capitalism took over the country. Before the internet. The behavior of everyone reeks of the old-fashioned stigmas of the 20th Century – the stigma of unmarried mothers, the ability to “disappear” in a small country, the weird detail that none of the women ever stepped foot in the bar they were so all so suspicious of to check on their husbands (as if ladies going into a bar was too scandalous to consider!), and the fact everyone commonly associated bar owners with prostitutes. How ostracized orphans were (by adults, too, and openly!). How the police work to solve crimes was also incredibly old fashioned and low-tech. How no one ever checked the internet or their phones for immediate information, entertainment, and social connections. I mean… video arcades were still a thing in this drama… yet at some point, a kid has a gameboy… I dunno, it was all over the board. So I assumed, for a while, it was set in the past… but then they ruined it with occasional references to Instagram and cell phones. So  either it was just a mess to begin with or the producers changed the setting at the last minute to accommodate more advertisers. I suspect it was the latter.

So… 

Overall Rating – 7.5/10. Cranky Locals Learn to Love the Town Outcast.

SPOILERS & MORE RAMBLINGS ON CHARACTERS FOLLOW

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Review – Itaewon Class

Itaewon Class. What a strange love story to Capitalism, am I right?

Here is how I imagine this drama was pitched between the writer and the studio executive.

Executive: “So what have you got there? You said it’s a revenge story set in the food industry?”

Writer: “Oh yeah. It’s gonna be great. We’ve got this stubborn, solitary guy who doesn’t need anyone’s approval, he’s just gonna go his own way and do what’s right. Stick to his principles. Never budge an inch.”

Executive: “Like a John Wayne type?”

Writer: “Teenage John Wayne.”

Executive: “But better looking than John Wayne.”

Writer: “Much better looking.”

Executive: “Who does he want revenge against?”

Writer: “A CEO of a worldwide food company. This guy is just super rich and powerful, so it’s gonna be hard to get revenge, ya know?”

Executive: “He’s gonna get his revenge by becoming rich too, right?”

Writer: “Of course. That’s how justice works.”

Executive: “It’s how product placement advertising works too. Sounds like a win!”

Social taboos unveiled in hit South Korean drama Itaewon Class ...

Itaewon Class had all the elements of a quality fairy tale K-drama: A strong archetypal hero with impeccable values and a heart of gold who rises over adversity, meets his goals, finds loyal friends and allies, and of course discovers true love. There was a nice sized cast of diverse characters with unique plot lines and motivations. I was interested in the fates of everyone I’d been introduced to, good and bad. It was far better than the majority of K-dramas I have seen in the past year and not bothered to review.

And yet it had serious problems. The last few episodes really fell off the gas pedal and the plotline slowed down considerably. Ironically, the most dragging episode was the finale – which had a preposterous amount of exciting things happening and somehow managed to muffle all the energy of the climax. And worst of all, in my opinion, there was the problematic underlining theme of the entire show. It’s what I like to call the Capitalist Dream, the lie we all tell ourselves: If you just work really, really hard then you can achieve anything. Entry into the golden palaces of the 1% is possible for anyone willing to work overtime. This idea has tucked the poor into bed since the dawn of time, soothing their anxieties about class inequality with a little fairy tale about how some people sneak into the castle… and get the prince to fall in love with them… and that could be you.

So, yeah, there were issues. But I still highly recommend this drama. It’s 16 episodes, which is a nice length for a series. They managed to fill each episode with enough plot that we didn’t have to over indulge in excessive flashbacks, pointless walking or staring scenes, or other fillers. It was lighthearted and funny at times without being silly or cartoonish. I especially enjoyed the spunky, quasi-sociopathic lead female. And who doesn’t love a good revenge story?

Itaewon Class – Overall Rating: 8.5/10. Feel-Good Capitalist Propaganda.

More – about characters and themes below. SPOILERS GALORE so watch the show first, my dear readers.

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Review – Extracurricular

Extracurricular is a dark k-drama that serves up another thick slice of social commentary pie. In particular, it wants to feed you a little story about class warfare.

About inequality.

About capitalism.

There have always been dramas that focus in on this particular subject, of the vast differences in the lives of the rich and the poor. South Korea is generally better at realistically portraying poverty than we are here in America. Unfortunately, they suffer from the same tendency to paint the extravagantly rich as something to aspire to and admire. Namebrand recognition. Mega mansions, fancy cars, and shopping sprees. It’s not just enough to be in the middle, you want to be on the top. And if you’re busy focusing on the top, you might not notice that the middle has disappeared.

In South Korea, they tend to layer messages in their social commentary – from the obvious to the more obtuse. Especially when focusing on class and inequality. Some are better than others. What Happened in Bali and My Mister are two that are particularly good in this layering. What makes them good, in my opinion, is that they expose how bleak reality is for those who are struggling financially, how easily things spiral out of control for them, and how easy it is for others to look away.

Extracurricular is a layered story of class inequality that uses this lack of control to illustrate its message and push the narrative. Just like the characters in the show, as a viewer you’ll find yourself constantly surprised by the ever-increasing disasters that occur with even the slightest misstep. This drama has layers of crime, of bullying, of shocking violence, of consumerism, of abuse and of so much more. It’s layered like a Greek Baklava.

Extracurricular shows how integrated the “unseen” is in the seen world. And it doesn’t make it easy for the viewer to determine the moral of the story or process all the information it provides. It’s messy. And it’s dark. And I enjoyed it, as much for the plotlines as for all the ambiguities and questions it forced me to ponder long after it was over.

Rating 8/10.  Mild Mannered Pimps Always Get Screwed.

Further analysis of the story and the characters follows – with spoilers galore – so you have been warned….

SPOILERS AHEAD ———————-

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Review – Come & Hug Me

Come & Hug Me. What should have been a 10/10 winner – combining psychopathic serial killers, star-crossed lovers, fractured families, societal judgement, and a thrilling story of cat and mouse… barely made it to 7.5/10 due to its excessive use of unnecessary flashbacks, painfully long sequences of staring and slowly rotating cameras, faulty dialogue (and lack thereof), and jarring tonal shifts. Let us all examine this tarnished show as what happens when editing goes wrong.

 

Which poster most accurately represents Come & Hug Me? Unfortunately, they both do… and that’s a problem.

Korean dramas have mastered the art of blending genres – especially when it comes to mixing dark plotlines with beautiful romances. Think of Pinocchio, for example. This is a masterpiece of blended genres – adorable, genuine romance – gritty, urban crime – melodramatic, dark pasts coming to light – and an unflinching commentary of modern society. It had a large cast and plenty of subplots and characters to follow around and not a wasted minute in the entire show. There are also dramas like Just Between Lovers, that kept everything close to the main couple and focused heavily on their inner turmoil, tortured pasts, and slow healing from severe trauma. I Remember You has not one, not two, but three serial killers, a boat load of family trouble, and a whole mess of relational, dark plotlines and it still gave us a swoon worthy romance. These were tightly paced, well plotted shows worth every award and accolade given to them.

So it can be done, this contrast of light and dark. It has been done. Come & Hug Me just didn’t manage to do it and that’s a shame. It felt like a significant chunk of the writers quit halfway through the project. Or maybe the studio said, “I love this 12 episode drama – let’s make it 32 episodes!” and then tossed it to an editing crew to pull on it like taffy. There were sooo many spaces that just felt empty, drawn out, padded, and needlessly prolonged. Every character in it could have used additional development – there were plenty to choose from, too. It would have been easy to tighten this drama into a finely crafted show. Instead, it just unspooled into a mess on the floor.

The plotline of Come & Hug Me is amazing, though, and thus despite its many editorial flaws and awkwardness, it’s impossible to deny the plot is pure melodrama. It’s a blood soaked cocktail of murder and romance and that just so happens to be my favorite drink… so let’s discuss…

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Review: Kill It

Kill It is a twelve episode action-mystery drama that feels like it started out as a six episode drama that was handed over to an intern in editing who then chopped it up into a billion unnecessary flashbacks (flashbacks to what happened, literally, ten minutes before in the same episode) and excruciatingly long staring scenes where no one moves (did time stop? are there photographers on set? why do they keep doing this in dramas?).

It stars the handsome, tall Chang Ki-Yong as a brooding, introverted assassin… who is also a veterinarian. There are two ways to make scary men lovable, and that is to surround them with cute small children or cute fluffy creatures. This show chose the latter, as all children were too busy being horribly abused in this drama to enjoy even a  moment of cuteness.

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Review – Who Are You: School 2015

Review – Who Are You:  School 2015

Oh, what to say, what to say?  It was… tolerable.  A story about a bullied girl who gets into an accident, loses her memory, gets mistaken for another girl, who also got into an accident, and gets to suddenly live a new life as a pampered rich girl at a fancier school.  It’s just one dumb plot device after another.  Secret twins!  Near Death Experiences!  Amnesia!  Imposters!  Generic Love Triangle!  It still managed to be slightly enjoyable though.  The cast was solid, the cruelty and kindness of teenagers adding drama to each episode.  But overall, I wouldn’t recommend it.  Watch School 2013.  It’s better.

Nam Joo-Hyuk proves he’s got leading male capabilities.  Kim So-Hyun beguiles us with her big eyes and expressive face.  And Yook Sung-Jae gets pushed to the side in the generic role of second male lead.  I really enjoy Yook Sung-Jae, but have yet to decide if he’s strong enough to pull off a lead in a drama of his own yet.  He’s a bit too idol for me, a bit too hammy, a bit too adorable.  Super adorable as a blonde.

Our second female lead, however, is amazing.  The bully.  The villain.  She’ll never want for work.  When she’s old enough, she can easily migrate into the “evil mom,” “evil boss,” and “evil ex” roles.  She delivered some blood curdling coldness.  Jo Soo-Hyang is amazing, but I’m not delusional enough to expect her in leading female roles… she’s lovely, but the beauty standards of South Korea are as strict as Hollywood’s.  And that’s a whole other post.

Overall Rating – 5/10.   Ridiculous Plot Devices & Attractive Teenagers.

Review – Lucifer

Review – Lucifer

Recently re-watched Lucifer, one of my top 20 Korean dramas of all time, and it still holds firm in its position.  This isn’t a typical story of a cop tracking down a serial killer.  This is a morality play, in which the reasons behind the killings are the plot line.  Much like one of my other favorite shows, I Remember You, the murderer isn’t necessarily the bad guy.  Or rather, they are not the only bad guys.  The people who made them, who drove them to such extremes, are equally culpable.  In a fantastic twist, the cop hunting the killing has also committed a terrible crime in his youth – and now his dark past is coming to light as he races against time to save those who may not deserve saving.  It’s a story of revenge, a story of guilt, and a story of the personal choices that define us.  It’s a drama that asks you to ponder the hard questions, to twist around your normal definitions of right and wrong, to see multiple angles to dubious actions.

And I loved it.  I loved it just as much the second time as I did the first time I watched it.  It’s beautifully filmed and the story is expertly crafted.  It is the second installment in a “Revenge” trilogy by director Park Chan-Hong and writer Kim Ji-Woo.  The first was Resurrection, a haunting mystery, and the third was Shark, a gorgeous slow simmer show.  All three films are remarkable, unique and highly recommended.

Overall Rating – 10/10.  Where the Good Guy is Bad and the Bad Guy is Bad too.

More musings on the morality lessons, the plot, herpes, and spoilers follow:

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