Move to Heaven is currently airing on Netflix. It’s only 10 episodes long, so I highly recommend you wait until you have 10 hours to spare because it will be very difficult not to binge this drama in one sitting. I myself stayed up until 3:00 AM last night, even though I had to get up at 7:00 AM, because I had to know how it ended… I needed the completion. I was a total emotional wreck for, roughly, ten hours. And I am extremely glad to be working from home today so I don’t have to see anyone in person, cause my face is a puffy mess from crying… repeatedly… just… sobbing all over the couch. I haven’t cried over a show in a long, long time, ya’ll… but this one hit me hard.
It’s a perfect 10/10 drama. It has it all – blood, sweat, and tears. It’s both heartwarming and heartbreaking. The characters are so memorable and fully developed over the series. The individual story lines that tie to the deaths are diverse and show the “end” may be different for everyone but every life is valued. The cinematography, music, and editing are perfect – and with a tight 10 episode run time, you don’t have to suffer through the dreaded flashbacks upon flashbacks or ridiculously long sequences of, say, staring at someone, that are the plague of so many lengthier dramas. This drama hooked me from the first episode and did not let go until the final credits… and arguably is still holding on to me, cause I am rooting for a second season (and I don’t like multi-season dramas – and hope that their creation and use remains sparse so we can ensure K-dramas maintain their originality and casting shuffles).
There is a little humor, a little mystery, but overall I would call this a standard DRAMA drama. It’s a story about people – a very sentimental one, but also a highly unusual one. It revolves around trauma cleaning – which is a specialized service that comes in and cleans up homes in which someone has died. They both sanitize the spaces, as well as pack up and organize the possessions of the deceased. It is not for everyone, certainly. Just like working in a hospital or a meat processing plant or a nursing home is not for everyone.
There will be blood. And… other icky things.
But such is life, and death, and this show does not gloss over the nastier aspects of the gig.
It doesn’t linger on it, either. Anything shown is important to the story telling of the individual episodes. This is also the case with any violence in the show – and there is some violence as well. My mother would have been disturbed by some of the scenes in this show – but she doesn’t watch television except on rare occasions and hasn’t been as desensitized by the media as most general audiences are. Anyways, I suppose viewer discretion should be advised.
To balance out this rather dark topic of death cleaning, we have the beautiful stories of the deceased which are brought to light as the crew digs through their belongings. We have the lovable characters of the main cast. The leading male has Asperger’s Syndrome and his uncle has just gotten out of prison for illegal fighting. These are two very isolated men, with very distinctive personalities, who are attempting to live together for the first time. Add on top of that an incredibly nosey and overprotective neighbor, and you (as a viewer) have a highly enjoyable trio to follow.
Overall Rating 10/10 – Learning to Live a Better Life by Cleaning Up After the Dead.
It’s been a year. Since last summer I have tried, and failed, to get back into Korean dramas. I found myself watching a lot of Scandinavian shows and a few made in Germany. But 2020 and now 2021 have been nothing if not strange times.
More Korean dramas are popping up on Netflix, which is great, and I’ve renewed my Viki subscription to get more variety. Slowly but surely I’ve found several that I’ve enjoyed enough to review – and a few I completed but haven’t bothered to review cause there’s not much to say about them (such as Lovestruck in the City).
But overall it’s been a lot of ship jumping.
These are some shows I started but did not finish… and most likely never will. In alphabetical order, for my OCD and your viewing pleasure.
100 Days My Prince – ep 1 – cutesy and not my style.
Absolute Boyfriend – ep 20 – I honestly don’t know why I watched so much of this… it was just kinda on in the background. It felt like a cartoon.
Abyss – ep 5 – certain aspects of this show annoyed me considerably… though I like both actors, I was not charmed by the body swapping shenanigans.
Alice in Borderland (Japanese) – ep 2 – eh. Killer escape rooms is kinda a worn out concept at this point, isn’t it?
Angel’s Last Mission: Love – ep 3 – too cutesy for my taste.
Beauty Inside – ep 9 – what the…? Did we just stop trying, Korea?
Beyond Evil – ep 8 – sigh. Shin Ha-Kyun and I just don’t mix, apparently.
Born Again – ep 6 – what a waste of potential. Felt like a day time soap opera.
Devilish Joy – ep 2 – meh.
Doctor Prisoner – ep 16 – It was exciting but unfortunately it spent all its time trying to be exciting. You can’t stay on Code Red every minute of the day, Doctor Prisoner. Without some calm to contrast your high stakes over zealous plotlines, it’s just cheap tricks. You know the music they play in game shows, right before a contestant chooses and they’re building the excitement and tension? They played it like that the whole hour, episode after episode. It was exhausting.
Doom at Your Service – ep 11 – another show that thinks two attractive leads is all it takes to charm an audience (which apparently is true from how many positive reviews this got). The plot line is paper thin. With some script development this could have been a more interesting and beautiful story – the outline is there, but right now it’s just a child’s coloring book and not a work of art.
Find Me In Your Memory – ep 9 – I like it and I wanted to keep watching… but this drama is soooo long and not enough is happening. My time is precious, people.
Flower of Evil – ep 10 – The sadness of the wasted potential! These are the kinds of story lines that generally suck me in. But… not this show. To be honest, I will probably try to finish this one at some point cause I do love a psycho killer story and Kim Ji Hoon is fun to watch.
The Good Detective – ep 7 – meh.
The Guest – ep 2 – really wanted to like this one. Shaman, Catholics, demons, and murder? Sign me up! But it felt unfocused and after the second episode ended, I hadn’t been hooked. Is there a plot? Or just an idea of a plot? Should I give it a few more episodes? Has anyone watched this one?
Guardian (Chinese) – ep 2 – not my style.
Hello, Me! – ep 8 – very cute idea and overall not a bad show… just not that good either. Love the leading actor, Kim Young-Kwang, in particular, though he seemed pushed to the background in this show.
Hotel Del Luna – ep 7 – decent concept but felt like someone just cut out characters from better dramas and didn’t bother to try to make them work for this particular show.
I’ll Go When the Weather is Nice – ep 6 – I generally adore slow melodramas but this one just didn’t grab my emotions.
Into the Ring – ep 2 – meh.
The Last Empress – ep 2 – dreadful.
Less Than Evil – ep 7 – started out okay but I’m not a fan of the male lead…
Kiss Goblin – ep 1 – ack, no thank you.
Live Up to Your Name – up to ep 7 – time travel comedies are hit and miss, and this one was a miss for me.
Mad for Each Other – ep 8 – fun concept but not quite funny. It’s Okay That’s Love or Heart to Heart are far superior, if you like love and mental health stories. Kill Me Heal Me is also a zany romantic comedy that was better. I dunno… this felt like something slapped together over a luncheon. 2020 was a tough year, though, so… it is what it is.
Melting Me Softly – ep 11 – snaps for a fun plot line but thumbs down for not putting any real effort into how to hold up such a plot line with narrative structure and intrigue.
My Country : The New Age – ep 11 – it wasn’t awful but kept reminding me how superior Six Flying Dragons was.
My Strange Hero – ep 28 – the show that is just one head-shot after another. It’s like a teenager who can’t stop taking selfies of itself. Soooo many giant heads on the screen. And I just don’t care to watch even one more minute of these continuous, tedious tight close ups of people’s faces. We get it! They’re attractive! Geesh – just back up, man!
My television is eight feet from my couch and I felt like my personal space was being invaded by this show. I snapped. Honestly, it’s not a bad storyline… and the actors are good. I just couldn’t take one more close up – to the point where I don’t care how this show ends, even though I only have about two hours left. I can’t! Call it a protest.
Private Lives – ep 3 – nope. This is gonna sound mean, cause maybe it is… but Ko Gyung-Po does not have leading man charisma… he’s awesome as a second lead, though. Anyways… dropped it.
Psychopath Diary – ep 6 – cute but sadly does not have a complex enough plot to justify the run time. If they would have developed the whole angle of the killer/cutie weirdness… then yeah. That was truly complicated and strangely sexy and just… wow, what a fun concept! But nope, they hopped over that before it even warmed up. Just watch Me Too Flower or one of his other shows if you wanna see Yoon Si-Yoon be adorable.
School 2017 – ep 9 – School 2013 is far superior in every aspect.
School Nurse Files – ep 1 – too camp
Sisyphus – ep 8 – I’m hard pressed to think of a show where the leading actors had less chemistry. When separate their storylines are interesting but together they just drag this show into a dull sci fi landscape.
Sky Castle – ep 7 – I might give this another shot eventually… maybe… I do love scheming rich ladies.
Start Up – I made it through the first 3 eps before I realized what direction the love story was headed. This is not to say this drama is bad – it may very well be awesome… but I kinda fell for the second male lead, apparently, and I just can’t support a show that created a leading character who is not the leading love interest.
Tale of the Nine-Tailed – ep 7 – ugh.
Tell Me What You Saw – ep 2 – overacting anyone?
Train – ep 7 – nice idea but lackluster execution
True Beauty – ep 2 – Did we need an entire show about the power of makeup? No, no we did not. We still have access to the old YouTube video Contouring 101 by Sailor J… and that’s all we need on the subject.
The Uncanny Counter – ep 1 – too goofy for me.
The Untamed (Chinese) – ep 11 – I tried, ya’ll. This is as far as I have ever gotten with a Chinese drama. I love some smoldering gayness, but gheesh, these plotlines… I just can’t get into it.
Vagabond – ep 3 – I love an action drama but… not this one.
Vincenzo – ep 2 – I love this actor but could tell I was not going to vibe with this drama.
The premise of this show is simple. A battered wife who has nothing to live for stumbles upon a car crash… with 9.9 million dollars in cash in the trunk. Now, perhaps there are saints in this world who could walk away from such an enormous temptation… but I can’t think of even one living soul I know who could resist. Our miserable female lead is no saint – she takes the money. Every single cent of it.
What happens next is the show.
I don’t like to write detailed reviews about mystery shows. The less you know, the more fun you will have discovering the many – many, many, many – twists and turns of this show. The plot starts off taking you in the logical direction you expect – how will she get away with it? Whose money was it? What will she do with it? Where can she hide it? Who can she trust? But after it jumps through these basics within the first two or three episodes, it starts to do real heavy lifting. It starts to create this intricate web, connecting multiple characters, spinning back on itself, rewriting things, taking you in completely new and fresh directions before marching you back down into the thick of it. There’s a lot of people who are interested in that money…
9.9 Billion won is a lot. A lot, a lot. 9.9 Billion won is $9 million USD. That’s Life changing money. Lottery money.
Money changes your perception of life. The having and not having. The corrupting influence of it. And at its heart, Woman of 9.9 Million is a morality tale. It’s like an elaborate and violent parable or Bible story. And yeah, it’s pretty violent.
The actors in this show all owned their characters. I understood them – the good, the bad, and all the gray shadow folks inbetween. This show took the time to develop everyone important, to give us moments that put spotlights on different people. Everyone was complex. Everyone had issues and hang ups and distinct personalities. No one was perfect, and no one was exactly who they first appeared to be.
The cinematography is gorgeous – the set designs were awesome (so many cool lamps everywhere!) – the music was perfection in every scene. There were very few flashbacks or wasted moments. You will NEVER look at a suitcase the same way again…
Now, I know right away that this drama is not going to be for everyone. The lead characters are all middle aged. I would not call this a romantic or melodramatic. Most of your standard Korean drama tropes are absent from this show entirely. Woman of 9.9 Million is a unique storyline and will definitely surprise you.
If you like murder mysteries, please stop whatever you are doing and go watch Mouse immediately. I mean… just do yourself this one favor. You’ve undoubtedly earned it. I’m sure you work hard. I’m sure you’ve suffered through enough mediocre and forgettable dramas that you have qualified yourself for a reminder of how good a really good K-drama can be when they get everything right.
I loved this show. It was a perfect 10/10, in my humble opinion.
I love a drama that rewards you for watching it. One that has been intricately plotted before production started. You can always tell when this is the case because you have plant and payoff scenes throughout. Little interactions, little cut scenes, little details that just barely caught your eye in early episodes will be brought back later as major revelations and huge plot twists. This show knew where it was going from the first episode and just circled around you a few times like a predator before pouncing and sinking its teeth in. By the end of the second episode, I was completely at the mercy of this drama.
If, by chance, you are reading this review trying to decide whether or not to commit 20 hours of your life to this show, then let me say again, YES. Yes, you should.
It’s about serial killers. That’s all you need to know. That’s it. Just… trust me.
Don’t read any more reviews and for the love of all things holy – do not wander onto the internet in search of spoilers. If you find yourself confused at any point, don’t seek to have your questions answered outside the drama. The drama will tell you everything. It will make it abundantly clear who is who, what is what, and why. Just wait for it. I know we are all accustomed to instant gratification and carry around search engines in our hands, but just… don’t do it.
RESIST THE SPOILERS.
Let the mystery unfold.
Cause if you do – you are gonna have the most enjoyable experience with this show. Your jaw will drop. Your eyes will pop out in surprise. Not once, but twice, my hand flew to my mouth as I audibly gasped with shock. I cried “OH MY GOD!” out loud, to no one, multiple times. I mean… there are plot twists, and then there is Mouse. This show turned a bunch of messy plotlines into a gorgeous, intricate work of knotted art. Spiders everywhere are watching Mouse thinking “Oh, wow, now that’s a freakin’ web!”
The most enjoyable mysteries are the ones that let you get a few things right, so you can congratulate yourself on your deduction skills, but ultimately push you into a dark room and leave you guessing until the very end.
Of course, the story relies greatly on the acting skills of the cast to make it believable. To draw you in with their performances as their character arcs bend and shimmy and attempt a few feats of now-you-see-it-now-you-don’t. The casting of this show was perfect, down to the most minor characters. Everyone brought their A Game, grounding their characters with passion and heart while understanding the shades of gray this drama wanted to highlight.
This show is not a romance. It’s not a comedy. It’s not an action flick. It’s not a melodrama. It’s a mystery. It’s a mystery about serial killers, so if you don’t want to see some mangled limbs and curiously blurred knives, then you are the only person I steer clear of this masterpiece.
Hopefully this gushing enthusiastic “review” is enough to get you started on Mouse. If at any point you start to feel slightly… comfortable… while watching, then don’t worry – a bomb is about to explode and redirect the entire narrative.
“You thought it was a story about this? Oh no, it’s about this.”
(excited by the change in the story line, you settle in)
“Or… is it…” (drum roll) “this?”
(you gasp and resist texting all your friends about the crazy plot twist you have just experienced)
“You liked that, huh? Well, what about this?!”
(waits until you’ve finally recovered from the last four panic attacks and plot twists before jumping out from behind another mystery door)
“OR IS IT THIS?!!!!”
(you fall over dead from shock – but the drama comes in with automated external defibrillator)
(you come back to life, severely shaken)
“Oh… we’re not done…”
(the insanity continues even into the post-credit scenes of the last episode. you have left your body by this point and ventured into Korean Drama Nirvana)
Overall Rating – 10/10. The Less You Know Going In, The More This Show Will Fuck You Up (in a good way, I promise).
This melodrama was a perfect 10 for me – until about 16 episodes or so, when Kim Jung-Hyun dropped out of the show. Sigh. What a shame.
I cruised around the web long enough to read about why the actor dropped out of the show, citing his eating disorder and mental health. I also found a few more recent articles hinting a tumultuous relationship with his then-girlfriend may have also contributed to the shows fate. Who knows. Whatever the reason, it happened. The leading male actor left the show before it’s completion. And no matter how talented the writers are, that’s a hell of a hole to dig yourself out of. I’d say they did a damned good job, all things considered. But it never got back to the high ground it was originally founded on, though I’d say it definitely held its head above the water.
Melodramas are a mixed bag for a lot of people, but for me they’ve always been the favorite item on the menu. The more overdramatic and crazy, the more I love it.
This particular melodrama had a lot of call-backs to melodramas of old (Uncontrollably Fond, Mask, Something Happened in Bali) – with an insanely privileged leading male acting like a complete asshole, throwing screaming fits, terrorizing everyone, and basically being a gigantic demonic toddler – paired up with a rather ordinary girl struggling to survive the injustices of her life and economic hardships. Some horrible twist of fate will bring them together – and they will basically make each other’s lives miserable for a long time before slowly finding common ground, helping each other out, and healing past traumas. One of them might die at the end. Roll credits. This is the format and it usually delivers – because we spend the majority of our time in the angsty sections in the middle. Watching things go from bad to worse to… much, much worse. And then, oh my god, I didn’t realize it could get worse but it has and holy hell, these poor people can not catch a break. If you don’t have characters bawling their eyes out in public as often as they’re sobbing their eyes out in private, then you’re not peak melodrama. Melodramas thrive off absolute destruction before they give you the catharsis of rebirth. You’re gonna burn first, honey, and it ain’t gonna be pretty.
If don’t want to throw a shoe at everyone’s head, then the writer’s aren’t doing their jobs right.
Kim Jung-Hyun was soooo mesmerizing as the doomed male lead. I immediately sought out more dramas with his actor after finishing Time and am happy to announce he officially kicks ass across the board.
The premise of Time is as follows:
A rich guy finds out he has a brain cancer and will not survive the year. This is very annoying to him, as he has yet to get over his rebellious stage and make any solid impressions in his life. Everyone thinks he is a screw up because he is a screw up. In typical self-destruct style, our rich guy decides to get wasted and end his relationship with his fiancé by having her walk in on him with a sex worker… cause taking responsibility is not taught at fancy private schools, apparently. He passes out drunk before his fiancé gets there, however, and when he wakes up the sex worker is dead in his hotel suite’s swimming pool (yeah, this guy is so rich he can afford a hotel suite with its own private swimming pool). He has no idea if he is responsible for her death or what happened – but in a tragic twist of fate, ends up meeting the dead girl’s sister. Guilt and a deeply subconscious feeling he should “do something” with his life before it ends, he attempts to help out the sister. And basically makes everything worse. Repeatedly.
It was awesome.
The rich guy was a classic jerk fighting a war largely of his own invention.
The pauper was a classic bland girl pushed to one desperate breaking point after another. The most interesting thing about her was how pathetic her life was.
His fiancé was a classic ice queen, spoiled princess, too self involved to even consider the lives of others she crossed paths with.
There was the particularly intriguing character of the lawyer who works for the rich family who also has ties to the destroyed poor family. This dude, played by Kim Joon-Han, literally carried the weight of the drama on his back after the male lead left. He was so… shifty. I found this actor and this role very compelling and always leaned forward a little when he was speaking in his soft, calming voice. The dynamics of this guy, untethered between the other characters, neither for or against anyone but himself and yet… so involved, so obviously devastated and lonely, so broken… I loved him. I loved to hate him. He was fantastic.
This show has all your favorite tropes. Shared living spaces. Fake marriages. Terminal diseases. Rich men atoning for their sins by helping some poor girl become rich too (hey, I didn’t create capitalism).
Even after the unfortunate loss of the leading male, it managed to drag itself to the finish line. Though admittedly flawed by this turn of events, the show still deserves praise. It’s a dark, vicious, tear-soaked spiral down the drain and I highly recommend it anyone who likes melodramas.
Overall Rating – 8/10. A Melodramatic Masterpiece That Died Before The Finish Line.
I love time traveling Korean dramas. And I’m also a sucker for the “enemies to lovers” trope. So I figured there was a fair chance I would enjoy this drama. But Mr. Queen surpassed all my expectations by providing a new twist on the old “boy disguised as a girl/girl disguised as a boy” routine. A modern man ends up transplanted into the boy of a woman from the past – not just any woman, of course, but the queen.
This show has a lot of people to thank for its success, but at the heart of it I would say the two leads ruled supreme. The chemistry and the comedic prowess of our king and mister queen carried the vast majority of the weight on their shoulders. Shin Hye-Sun completely nailed the posture, facial expressions, and often over-bearing and oafish behaviors of an attractive modern male. Kim Jung-Hyun blew me away with his sincere performance of a flabbergasted, frustrated monarch. Without his grounding anchor of calm nuance to balance our actresses flamboyant shenanigans, I don’t think the comedy would have landed. The two actors also had incredible chemistry and sold me on hating each other, begrudgingly accepting each other, and ultimately falling madly in love with each other. I confess, I didn’t expect to be so enamored with this couple, but as the show progressed I was spellbound by their story.
The writers, of course, should also be praised. Historical dramas can be tricky business, and managing to create episodes that will entertain the average viewer while also maintaining some sibilance of historical accuracy is no small task. Finding fun ways to incorporate the “modern” interests of the viewers, the “modern” behavior of the time traveler, and still staying true to the rules and regulations of the era is a challenge. This show embraced the current global love of cooking shows, using the challenge of cooking modern dishes with historical tools. I myself do not enjoy reality television, but I admit I was charmed by these kitchen scenes.
The twist of having a modern man in a woman’s body was explored in intriguing ways. While most of your basics were covered – such as discovering your physical body is weaker, the “gay” comedy, the behavioral comedy of gender roles and expectations – there were some elements that were hysterically ignored. I mean, I thought it was funny that they did not have even one scene in which the dude figures out how his downstairs business functions for gratification. Seriously? And though our queen gets menstrual cramps, they completely gloss over the experience of a man finding out what its like to have a period. I dunno, maybe I’m just knit-picking on this, but I have always found it hysterical that women masturbating and having their periods is so taboo.
I was impressed on how many subtle criticisms or critiques of gender and social norms they snuck in – both about the historical era and the modern one. If you’re looking for commentary about gender roles, various sexualities, and even transgender allusions, you can find them. But if you’re not interested in such things, you can blithely ignore all that commentary and just laugh over the standard poop jokes. Honestly, it’s a path to discourse that has proven successful. Scatter the seeds around (even if only a few take root subconsciously) so you can take a larger step into more “controversial” narratives next time.
Another creative choice was focusing on the close friendship and comradery of a female group instead of a male group. In the majority of historical shows, it is the close friendships of men that are generally the focus of side plots. Guards, scholars, politicians, rebels, commoners and royalty. Whether they are friends or rivals, opposite ends of a love triangle or standing side by side for a goal, it’s usually the dudes who get the most interesting side stories, even when a female is the focus of the show. Think of… well, any historical Korean drama. If there are other girls, they are generally rivals, enemies, or not heavily involved with the other ladies in the show. Mr. Queen gave us the endearing relationships of the Royal Court Ladies. It was so refreshing to watch these women come together and form strong attachments to each other, despite age and status differences. Though the king also had his entourage, I think it’s safe to say the focus for this show was on the queens court.
Historical comedies are generally a mixed bag. Finding one that can balance the conflict of the plotline and the romance, while also keeping its audience engaged and occasionally giggling for hours at a time is a struggle. My favorite historical comedy is still Sungkyunkwan Scandal, but I admit this drama ranks highly with other contenders, such as Moonlight Drawn by Clouds or Queen In Hyun’s Man. Was I invested in the political plotline? Uhm, no. Not even a little bit. But I was invested in the main characters, so I’d call it a win.
Overall Rating – 9/10. Discovering Your Bisexuality Through Time Travel and Body Swapping.
A few additional thoughts about Mr. Queen’s sexuality and the final episode below…
This drama started strong, but then it stumbled under its own weight. The first episode, in particular, was thrilling! That opening scene? The mystery of it all? Super powers, action, intrigue, kooky cults and mad science? What’s not to love? I was hooked and sure the show was going to be one of my all time favorites. And for a while… it was.
The first few episodes were amazing. The action sequences were long but interesting, following characters as they chased people through apartment complexes and busy streets, up and down stairs, into train tunnels, hospitals, elevators, and more. You really felt the scope of the city and got to know the characters by how they responded in these intense situations. The camera work was also incredible and insanely cinematic.
Within the first few episodes, I had been given an epic Korean drama that was surely bound to build up on its rock solid foundation. The cornerstones were set:
Mild spoilers for first few episodes.
Corner 1: The Cops and Our Female Heroine: Juan Police Station.
Truly an unusual female lead, who was given the personality generally reserved for male characters. She was distrustful, antisocial, self-centered, and obsessive about her own private agenda. People seemed to like her despite this, but she remained distant – only slowly drawing closer to the male lead who basically had to stalk her, woo her, and fight her to keep her attention. She was not instantly falling for this hot suspect cause she had shit to do, ya hear me? Her personal life was booked up at the moment and she wasn’t too keen on penciling in some new guy. See what I mean… sounds the like the traits of a lot of male leads in dramas, not the female leads. Naturally, this confused a bunch of people and I noticed a lot of hate mail flying her way via the interwebs. But I thought she was great. At first (like everyone else, she suffered under the writing and direction of plot archs). The other cops are great – all the cliches we love, like the cranky head of the department, the funny guy, the super loyal guy, just… all the guys you like to see in a cop ensemble.
Corner 2: The Male Hero: The Mystery Man.
What’s not to like? A handsome guy who has crazy powers, who seems more confused by them than we are. People are after him and he’s just running away on a survival instinct, because they’re chasing him and so running away seems like the appropriate response. He has no idea who he is or what he’s done. He knows he’s not normal, but other than that… he’s got a blank slate where his memory book should be. He’s drawn to the female lead because she seems familiar, or rather, he seems familiar to her… and that’s a lead he’s willing to follow. Like an adorable puppy with alarming super powers.
Corner 3: The Mad Scientists: Human Tech.
I sincerely appreciate that this show was willing to go Full Tilt Boogie Old School Mad Science. We’ve got secret laboratories hidden in basements. We’ve got mysterious jars filled with mysterious items, back lit with neon lights for effect. We’ve got huge syringes of glowing green liquids and subjects restrained on the operating tables with bulky leather straps. We’ve got a lead scientist with a white lab coat and wild hair. The laboratories are all dark with unrealistic colored lights everywhere and I adore it. Embrace the science-fiction glamor! Mad science is a statement and there’s a certain dress code we expect – it’s visual short hand that tells us whatever they’re up to it’s surely not legal… and probably not ethical… and definitely exciting.
Corner 4: The Cult, The Killers, and The Politicians: Project L.U.C.A.
There’s nothing like a nefarious religious leader to add a little extra drama to your show. We know little about this cult other than it’s got an awful lot of young ladies in it and a fabulous dress code. We also know it helps fund the mad science. The politician is the “outside” man, or the dude who represents the outside involvement on this mysterious side project. This is played by the ever-so-funny and talented Park Hyuk-Kwon (my favorite character in Six Flying Dragons). Does anyone play a shady, loveable villain better? The answer is no. No one. Just cast Park Hyuk-Kwon every single time, please. And of course, you can’t have a secret organization without enforcement, and our villains have super powers too. What is their end game? We are dying to know…
A quick side note about the villain enforcers. They kick ass.
The casting was exceptional all around, but in particular the choice of Kim Sung-Oh as the lead henchman in the black gloves. He plays the complicated, stubborn, tragic super-villain to perfection. Unlike our leading male, who walks around with the blank face of someone who can’t remember what they ate for breakfast and it’s slightly irritating him, the lead henchman seems to be carrying the weight every single mistake and tragedy of his life on his shoulders. He looks absolutely tortured, and resigned to being tortured.
With those rock solid elements as the foundation to a show, you’d think it would be a sure shot to be the most epic, talked-about, fan-favorite show of 2020. It had no where to go but up. It could have built us a mysterious pyramid, a spectacularly futuristic skyscraper, a creepy castle of gothic romance and intrigue, or a secure fortress in the super hero pantheon. But… it just kinda made a box and then asked us to imagine what was inside. I’m sorry, but if J.J. Abrams has taught us anything its that the Mystery Box approach to film making only works as a good hook, not a good plot vehicle. You use it lure bait into the boat… you’re not supposed to use it as the boat itself.
Though the title hints this is only the first chapter in what could be a continued series, I’m not sure it has enough strength in its legs to walk. I mean… I’ll definitely watch it, don’t get me wrong. But if it does get made, I’ll resent that it was it was broken into two parts instead of offering me a more complicated, if not longer, unified story.
Have you seen Gu Family Book – also called Kangchi, The Beginning? In a lot of ways, these two dramas have a similar feeling to them. Gu Family Book has its origin story, leading to the main protagonist, and then loops back around to pick up the dropped threads of the origin story again before reaching its dramatic ending. I think L.U.C.A. would have been better served to follow this format, expanding into a longer series but also weaving its plot lines together to improve viewer satisfaction.
So… where does that leave us with L.U.C.A.?
If you like science fiction or camp, you’re going to enjoy this show. You may not love it, but you’ll have fun with it.
If you like action and adventure, then this show is also a safe bet. The fight sequences are great and the choreography, stunt work, and direction – as well as the camera work – are top game.
If you like mystery… you might like. There’s a bunch of mysteries, don’t get me wrong… but it’s a bit wishy-washy on whether or not those questions marks paid off with answers worth the effort.
If you like romance… you might like it. The romance is a side plot, in my opinion. It didn’t have to be, but that’s how it turned out. It’s arguably the weakest link in the show, feeling oddly paced and somewhat confusing most of the time. We will discuss this more in the deep spoiler section below.
Do I recommend this show? Yup. It was a mess, but I had fun with it (clearly I am a science fiction fan).
Overall Rating – 8/10. The Korean Peninsula of Doctor Moreau.
You know when you were a kid and you wanted to mix all the drinks in the soda dispenser at restaurants? We called that concoction a “Kamikaze.” Most people called it a “Suicide,” or… if you’re from the Midwestern region of America, maybe a “Graveyard.” You basically murdered your tastebuds by including everything. And yet… as a kid… you didn’t care. You were gonna do it and you were gonna drink it and it was glorious. It was muddy, bubbly, excitement in a plastic glass. The Penthouse is the Kamikaze of Korean Dramas. It’s terrible. Just… awful. Just fantastically, gloriously, bad. And you’re gonna love it.
The Penthouse is the drama we all needed during lockdown. When you’ve been stuck in your home for days, weeks, months, and everything just seems… overwhelming and yet boring, too much and too little at once… when the globe huddles together as shivering creatures susceptible to germs and you’re painfully reminded of your squishy organic humanity… then you seek escape. You want as far from normal as you can get. You find yourself watching Tiger King or… The Penthouse.
What is more distant and alien than insanely rich people living in luxurious, high rise condominium suites, far above the rules that govern normal society? What could be more niche than… opera?
If you’ve read some of my other reviews, you may have noticed I have a soft spot for melodramas. The more outlandish and ridiculous the plot twists and turns, the better. Grudges passed down through the generations, baby swapping, secret identities, cruelty, fits of rage and passion, character’s breaking up, breaking down, and breaking everyone around them as they lash out in the shallow waters they are drowning in… I live for it.
Melodramas are a required taste and have to find us when the mood is right. Was it a coincidence that How to Get Away with Murder also premiered during a global virus outbreak? If you raised a skeptical eyebrow at my pandemic analogy, then you may not be in the mood for The Penthouse. However, if you find yourself watching a bunch of videos on cults, conspiracy theories, and secret cabals that pull at all the hidden strings of the world… then you may be in the right frame of mind. If you find yourself thinking, “Maybe lizards do run the government,” or “I wonder if my backyard is big enough to house a pet tiger,” or “Is some corporation using my social media data to create clones?”… then the iron is hot and you are ready for a good melodrama to strike!
Melodramas thrive in toxic environments. They are irrational. They are the shapes you interpret in shadows, more about the implication of an idea over substance. You know it won’t stand up to scrutiny and so you purposely avoid turning on the light, willing to suspend belief. And if you hang around in the darkness long enough, your eyes adjust and maybe you forget the light switch is only a few feet away…
Melodramas are best enjoyed when you’re feeling subconsciously vulnerable. You aren’t going to learn a valuable lesson or muse about the subtle nuances of life while watching a melodrama, after all. Melodramas are not meant for self-reflection. They are a funhouse mirror, something so grotesque and fascinating that you can’t help but smile at this bizarre distortion of reality they present you.
Melodramas can be the only drink that transports you to the mentality of childhood innocence, back to a time when you could run through the house with your plastic toy dinosaur and lay waste to the imaginary cities around you. To the drama of your pastel princess dolls who ruled kingdoms, raised families, and then became rock stars in the course of a single afternoon. To the improbable wars of action figures and transforming alien robots. Where you can enjoy the godlike powers of ultimate creation and use them in silly, overdramatic ways without guilt or shame or justification of your outlandish plotlines. No one watches a child play and criticizes their worldbuilding skills. You just vicariously enjoy their enjoyment.
The Penthouse gives you both and adult melodrama and a teen melodrama simultaneously.
If someone is going to make a mistake in this show, it will be on stage or in front of a large group of people who will collectively gasp in horror. Think of any common nightmare scenario (like being chased by a killer, falling from great heights, public speaking, being late for a big test) and multiply it by ten. Think of day time soap operas and then boil them in a pot with Latin American telenovelas. Think of having one major problem, then continue to wrap more problems around it, as many as you think of, until you have this big, crazy, hard asteroid of problems.
Here is a visual representation of the plotline of The Penthouse.
Don’t try to make it useful or decorative or anything other than what it is. A big mess. Why would you want to untangle that? The individual problems have become warped and stretched out and absorbed into the whole. It’s a colorful disaster now and useful only as a weapon… (otherwise it’s just an embarrassing reminder of time wasted… so you gotta hurl it at someone… how else are you gonna get rid of that thing? call it self defense… call it… survival… but it’s gotta go and you know it’s gonna hurt someone on the way out… but… well… what other option do you have? Self destruction is sometimes instinctual. Humans are weird, friends, that’s all I know. We are strange, strange creatures).
If you’re expecting me to talk about the plotline or the characters… well… I have been.
I have not started Season 2 yet. I’m honestly not used to having a second season of a Korean drama and rather enjoyed the unexpected ending of Season 1. But I’m sure I’ll get around to it eventually and it will be just as fun.
Rating – 9/10. Setting off Fireworks Inside a Panic Room & other Bad Decisions with Colorful, Dangerous Results.
Extra-Ordinary You was one of the best teenage romantic comedies I have seen in years – for about 20 episodes. The last twelve episodes of this show slid quickly into “good but nothing special” territory for me, feeling repetitive, unnecessary, and considerably less exciting. This is not to say I didn’t still enjoy it, even after the sudden and steady decline of my attention span. Cause I did. Honestly. And when nearly 3/4ths of your drama is amazing, then you really can’t complain too much as you’re already doing better than most shows.
The story is thus: A quirky, popular young lady has suddenly started losing track of time. Hours pass and she has no memory of what happened in between. Then, mysteriously, she begins to notice strange patterns – amongst her friends and her routine. Things repeat themselves. Her world seems in flux. What’s going on? Our heroine discovers she is a character in a graphic novel – and now that she’s become self aware, she is able to experience life “between the panels” when the story is not directing her (and everyone else’s) action.
It’s a really fun concept. A similar story line was W, the 2016 hit series that was also really great for quite a long time before kinda dragging on a bit too long for it’s own good. If I had to choose between the two, I would pick W because it was a more expansive story, but Extra-Ordinary You finds is place in the pantheon of cute romance dramas with just enough conflict, love-triangles, bullies, and generalized school intrigue to keep you entertained.
Though the entire series takes place inside a graphic novel – it’s surprisingly “fantasy light.” The drama doesn’t spend much time musing on the particular physics or mysticism involved in this world, nor does it bother to explain how its possible or what controls it. Why are these imaginary characters able to become conscious? What does that mean about the creator of the characters or the world itself? Is this a reincarnation metaphor or meant to provoke us to think about the uncanny nature of religious beliefs, mortality, the broader expanse of the universe, or the vast unknowns of life? Uh, no. This is definitely not a philosophical show. There is no social commentary. It’s pretty much surface level only, and the surface level is very brightly colored. I think if you scratched at the layer, you’d just smell bubblegum. The “but how though?” question remains unanswered, and I suppose it really didn’t matter in the end as it never bothered me much. It’s a cheesy teen romance. It may have been more… maybe… once… there do seem to be hints at more… but nope. It’s just a collection of tropes and cuteness that’s dressed up in a new style.
I’d considered writing a more lengthy review – about the characters and the concept – but could not motivate myself to do so. The teenagers are all lovely and immaculate in their perfect white uniforms. The school is some insane stylized mansion-esque place, always spotless and expansive. The light is pure. The rain is romantic. Hospital rooms are enormous and comfortable. The streets are generic. The angles of the camera mimic typic manga style – with lots of straight on shots, a few up and down views inbetween, and plenty of focus on the dreamy faces of the leads. It’s a graphic novel, after all, a modern fairytale, so everything worked or was easily excused.
The less you know going in, the more you will enjoy it.
It was a perfect escape and exactly what I’d been craving but didn’t realize it. Something comfortable but just different enough that I didn’t immediately recognize it.
Overall Rating 8/10. A Happy Escape into a Romantic Dreamworld of Teenagers.
Awaken was one of those rare dramas that tagged all of my favorite tropes. Compelling, badass male lead with swagger and a secret past? Check. Courageous, self-reliant badass female lead? How about two? Check, check. Is there a complicated “murder wall” with a bunch of photos and papers tacked up that someone obsesses over? Oh, we’ve got two of those too. It’s gonna blow your mind. Check, check. How about ominous overtones of dark forces, corruption, and shocking evildoing lurking just below the sunny surface of Seoul? Check, check, check. Really cool synth music that sets a tone and doesn’t overpower? Check, baby. What do you think this is, Prisoner with its overly bombastic soundtrack that makes every episode feel like a cartoonish Scooby Do cartoon? Heck no, this is the cool Namkoong Min show. We’re all synth and slink here.
I stayed up into the wee hours of the morning to finish this series, hooked from the opening shot and not content to leave the couch until I had all the answers to the mystery.
Namkoong Min once again proves he’s A-List All the Way with this stellar performance as a chief detective with a secret agenda. Does anyone swagger more than Namkoong Min? Maybe Kim Na Gil, back in the day… but otherwise, no. No one. Namkoong swaggers into every scene, sucker stuck in his mouth, zero tension in his body but you can sense all the action churning around in their minds. His eyes are alert and constantly assessing while he leans comfortably into walls. You know he’s aware of everything, that he hasn’t missed a clue, but you also know he’s not about to clue you in on that fact unless it serves his purpose.
Can I just say now that I am deeply annoyed GIFs are no longer supported through my website software? Cause I saved about a dozen gifs of Namkoong Min just slinking about in this show, grinning and causing trouble and looking cool as hell.
The man was born for this role. He’s just such a cool shark, gliding through the waters.
The female leads were also outstanding.
We get our cool as a cucumber FBI agent from America – incredibly intelligent, gorgeous, and blunt. She’s level headed and practical and detail oriented…
She’s also socially awkward and suffering from ever-increasing OCD behavioral ticks…
the exact opposite of our second female lead, who is impulsive, outspoken, and a bit insecure of herself around our male lead and the new FBI lady.
But the girl can kick ass and run for miles without slowing down. She’s so feisty and headstrong, I loved her!
To balance out our enigmatic male lead we got two competent and unique female characters, each with their own agendas and stakes in the plot.
And oh what a plot!
As it’s a mystery-thriller, so I will not dive into spoilers or a long analysis of the series. Instead, I’ll give you a basic outline.
26 years ago, something horrible went down at hospital/research facility. This is the opening scene of the drama – and quite a shock! People are randomly attacking each other and/or committing suicide – all with pleasant smiles on their faces as the facility goes up in flames around them. Here in the fiery inferno of madness, we find three children, seemingly unaffected by whatever is happening to the adults. One of them gives us a creepy speech:
I am standing on an empty road all by myself. The sun is shining brightly, and the clock that’s never wrong says it’s 12. Then, I wonder to myself, “Is it noon or midnight?”
What does that mean?! It was cryptic and enigmatic and had me totally hooked. I don’t know about you… but I was ready to settle in for the long haul after that scene. What in the world just happened? Who are those kids? What sorta freaky facility is this and what were they up to?
Welcome to the White Knight Village!
This is the foundational mystery of the series – and you will have a very good time finding out the answers.
This drama is “Sci Fi Light,” as I like to call it. There’s some science fiction elements… with mad scientists and nefarious human experimentation projects… but it does not lean too heavily into this aspect. Awaken is not the Avengers, after all, oh no no. None of that bash you in the face with it, spell it out for you in block letters, overt American-style super hero nonsense here, oh no no. Awaken is gonna sneak it in subtly, little hints here and there. You might even forget you’re watching a science fiction show for a while, distracted by the police procedural elements or the human relationship drama… but then it reminds you. It gives you chilling backflashes, suspicious “something ain’t right about that” scenes, creepy lingering stares filled with subtext, layer by layer as you get closer to the dark heart of the mystery behind the White Knight Village and the massacre you witnessed in the first episode.
I absolutely LOVE the slew of mad scientist storylines coming out of South Korea in the past year or so. That’s a trope that never gets old, in my opinion. With all the miracles of modern technology and medical sciences, it’s frankly shocking we don’t have more of these dramas globally.
On a more random note, perhaps, I’m pleased that South Korean mad science shows don’t try to convince us of the realism of their experiments, either. There is nothing more annoying than pandering to the small percentage of fans who are gonna pull out their dry erase markers and draw us a diagram of how and why some mad scientists’ project is unrealistic and thus deserving of scorn. I don’t care in the least if genetically altering humans isn’t plausible. No one stopped enjoying Spider Man or the Hulk because they thought the science behind their transformations was faulty.
The more outlandish and overdramatic the science project the better, in my opinion. I want secret laboratories and mad scientists with wild hair and white coats who make grand speeches about why they’re destined to control nature and bend it to their wills. I want unrealistically dark corridors and medical wings with no overhead lighting. Give me brains floating jars and syringes full of neon green liquid! (speaking of – we’ll get into this more with my review ofL.U.C.A.: The Beginning… which I am L.O.V.I.N.G.: Every Minute of It).
This series had deliciously devious villains. Each of which were as enthralling and complicated as the protagonists. Let’s face it, we’re all suspect of rich people… so it’s not a stretch of our imaginations to believe they’d be up to no good.
Though I’ve seen this listed as a romance… I’d be reluctant to call it that. It’s got romantic elements, for sure… with some serious simmering stares and pining from afar, but you’re not gonna have any piggy back rides or hangover soup scenes with this show. They’re all too busy trying to stop people from spontaneously committing suicide and keeping secret organizations from taking over the world to have time to go on dates or make out in an alley way. Which is honestly a little unfortunate, cause they could have squeezed it in. There was room. They made it work in other dark mystery dramas like Hello Monster, so I know it can be done. But c’est la vie. It’s my only gripe and really more of a side note.
So go watch Awaken! It was great.
Overall Rating: 9/10. Secret Science Projects of the Wealthy Elite and Why to Fear Them.