Just finished this little gem of a YA book and had to post. I read a lot of YA… a lot of it. So it’s always nice when a book surprises me. And this book did.
It’s the story about a girl named Alex whose older sister was murdered in a small town. Alex is out for blood, peeps. Alternating between three characters – Jack, the popular boy who takes an interest in our psychotic protagonist – Peekay, the preacher’s daughter who is, honestly, just a nice representation of your basic teenage girl – and Alex, our dark hero. I actually thought the author did a good job of making the teens authentic. Other interesting characters pepper the story, friends, ex boyfriends and girlfriends, teachers, parents, police officers, townie boys. It’s a quick read – gets right to the action – and stays in first person (via three people).
I loved it! I bought it for the library, but I’m keeping this copy… already placed an order for another. It’s not Stephen King or Girl on a Train… it’s more like watching a really fun thriller movie. Bite sized and easy to digest. Highly recommended for a quick, dark read.
Before I even attempt to review this magnificent multi-layered murder mystery of conspiracy, crime, and corruption… let us first take a moment to step back and admire the bold choices of the casting and the writing. In particular, in regards to the two main protagonists.
We have the tall, steely cop – who uses few words, has a secret streak of kindness, and dedicates all to the job. This cop leads a team of dedicated followers, kicks ass in physical altercations, and lives alone without close family or friends.
We have a passionate teacher – who gets caught up emotionally in the lives of students, who is quick to express themselves, who worries over and looks after those around them. They live with their extended family, care for their niece who adores them, and works easily as a group amongst his peers.
Now… tradition tells us which gender to assign these roles. But Nobody Knowsis not about following your standards, thank you but no thank you. Nobody Knows had the audacity to give us a female protagonist who is not only significantly taller than the male lead, but also the cold, confident, and calculating character usually assigned to the dudes.
If you think this is not a big deal, then help me out: Name me one show where the central female is the single, solitary figure in a leadership role and the central male is the outgoing, extroverted emotional character in a general worker role. Even if we do have occasional broody female characters, they are not the head of the department or the main character. And if they are, they are certainly not paired with emotional male leads with less “powerful” roles. We are so boring with our gender roles in media – and characteristics we assign to those roles – so I believe dramas like this deserve a round of applause for breaking the mold.
I mean… can you name one show that even has a female lead who is taller than the male lead? Name for me a romance that has a man looking up into the eyes of his beloved. Even in ensemble media, there is still hierarchy of height according to gender. The only exceptions are characters that are significantly short (like Danny Devito). I mean… off the top of my head I can think of… Brienne and Jamie in Game of Thrones, though her tall stature was a big part of the storyline. Usually when it happens the industry will bend over backwards attempting to trick the eye – having the men stand on boxes, always having the women in flats, and so forth. Now… there are a few outliers, like this show, who just have tall women and there is no plot point to made of it, no tricky camera work to hide it… the movie Tenet featured an exceptionally tall woman who slinked around in heels, looming over all the males in the film. Our lead female in Nobody Knows also wears stocky heels – but the kind you can run after criminals in. There are other men in the show that are as tall as her or taller – but the leading man is a shorter. And it’s cool. It’s just… so nice. I noticed it every time they were standing side by side in the show (which is often) and I only noticed it because it’s so uncommon. In the media. Not in the real world.
The music was also… unbelievably good. I’m used to a sorta “standard” with Korean dramas. There is a consistency to their musical choices – but not so with this drama. Every single moment was taken into consideration. I was blown away at how seamless the music blended with the story, building tension, drawing out a character, creating a mood, moving fluidly from scene to scene, always perfectly blended, never a distraction. The instrumental music was perfect – the soundtrack songs were perfect. I was stunned.
The song “The Secret Not Revealed” which is the theme song, really… sums up the series perfectly. The slowly building composition, the haunting lyrics, the beautiful voice… I mean… just listen to it. It’s so stunning.
Above all else, of course, were the awesome characters. I thought this show did a particularly good job of capturing the nuances of young adults – especially young men – and how secretive, withdrawn, and emotionally vulnerable they can be.
This drama was a hit for me. I enjoyed every single episode. There were no wasted moments. Although there were slow meditative scenes, they weren’t “filler” – they were character moments. The flashbacks were minimal and almost always new content (instead of just rehashing a scene from the last episode). The dialogue was natural, as was the setting, the costuming, and the overall feel of the show. There was a foggy, cool tone to this series, like a mood that lingered… setting the tone. It had sweater-weather vibe.
I’m not going to go into too much detail about the actual plot because this is a mystery – and the less you know the more you will enjoy it. But I will point out a few things that I thought made this show superior (other than what I have already mentioned).
Every character in this show has a secret – and whatever that secret is, it is their driving motivation and their character arc to be resolved. Whether it’s a secret from their past, a secret connection to another person, a secret job, a secret relationship, a secret part of an organization, a secret business deal, a secret shame or a secret crime, they all have secrets. Maybe secrets are human nature. There are the rules of society, and there are also rules behind how we break them. Society has many layers, and shows like this are all about exposing just how complicated each human is – by themselves as well as in relationship to others. This is a show that reveals in character nuance.
Every character in this show also does bad things. It may be justified to the character (and even the audience) but it’s still a bad thing. No one is perfect. The students, the teachers, the cops, the parents, the adults in the community – they each have instances of doing something bad, of crossing a line. It may be small – like being a poor care-taker, mistakenly misjudging someone, covering up something to help someone else, or keeping their mouths shut when they should have spoken up. Sometimes it’s larger – like committing a white collar crime or engaging in physical or verbal abuse. This show never points out these differences, but it subtly alludes to them and hopes you make the connection.
These various levels of misdeeds create a vivid tapestry of human connections, irony, and complicated justice. For example… a child is abandoned and then taken in by a respected community member, only to be abused again. When the child grows up, they too abuse others. These manipulations and methods were learned, endured, and now being used by the victim. Are they still victims? Does it depend? On what kind of abuse are we dealing with? Abandonment? Physical abuse? Psychological abuse? Verbal abuse? How often does it occur and from how many different sources? Does it depend on whether the victim of the abuse is perceived as innocent or guilty? On how well matched they are? Do we have less sympathy for a teenage boy beaten by another teenage boy if we estimate it to be a “fair fight”? If they “had it coming”? Does it depend on their perceived value to society? All these questions just sort of float around in the air of this show… causing you low key anxiety as you attempt to catalog the characters into good/bad boxes that they refuse to fit into.
Justice is complicated. Crime and punishment are complicated. This show does not pretend otherwise. There are no “good” people and “bad” people in this show. There are just people, who have done varying degrees of bad things for various reasons – whether its insanity, defensive, profit, revenge, or some other motivation.
The characters of this show ruled. They were so well-rounded and memorable. In particular, the man who owned the big hotel near the water.
This guy was just… mesmerizingly odd. Snaps to Park Hoon for delivering such an exceptionally bizarre and charismatic character. It reminded me, in an odd way, of Jang Hyuk’s performance in Fated to Love You. A completely original vibe – everything about them stands out, their mannerisms, their voice, their expressions and interactions with others. Someone give this dude an award.
So, I think you should watch it. If you haven’t already. Sit down and enjoy a drama that doesn’t rely on tropes or familiar story lines. It’s unique. And it will keep you guessing, episode to episode. And it will make you ruminate on a lot of things as you bask in the moody ambiance of this amazing noir mystery.
Overall Rating – 10/10. A Modern Noir Masterpiece.
The premise of this show is simple. A battered wife who has nothing to live for stumbles upon a car crash… with 9.9 million dollars in cash in the trunk. Now, perhaps there are saints in this world who could walk away from such an enormous temptation… but I can’t think of even one living soul I know who could resist. Our miserable female lead is no saint – she takes the money. Every single cent of it.
What happens next is the show.
I don’t like to write detailed reviews about mystery shows. The less you know, the more fun you will have discovering the many – many, many, many – twists and turns of this show. The plot starts off taking you in the logical direction you expect – how will she get away with it? Whose money was it? What will she do with it? Where can she hide it? Who can she trust? But after it jumps through these basics within the first two or three episodes, it starts to do real heavy lifting. It starts to create this intricate web, connecting multiple characters, spinning back on itself, rewriting things, taking you in completely new and fresh directions before marching you back down into the thick of it. There’s a lot of people who are interested in that money…
9.9 Billion won is a lot. A lot, a lot. 9.9 Billion won is $9 million USD. That’s Life changing money. Lottery money.
Money changes your perception of life. The having and not having. The corrupting influence of it. And at its heart, Woman of 9.9 Million is a morality tale. It’s like an elaborate and violent parable or Bible story. And yeah, it’s pretty violent.
The actors in this show all owned their characters. I understood them – the good, the bad, and all the gray shadow folks inbetween. This show took the time to develop everyone important, to give us moments that put spotlights on different people. Everyone was complex. Everyone had issues and hang ups and distinct personalities. No one was perfect, and no one was exactly who they first appeared to be.
The cinematography is gorgeous – the set designs were awesome (so many cool lamps everywhere!) – the music was perfection in every scene. There were very few flashbacks or wasted moments. You will NEVER look at a suitcase the same way again…
Now, I know right away that this drama is not going to be for everyone. The lead characters are all middle aged. I would not call this a romantic or melodramatic. Most of your standard Korean drama tropes are absent from this show entirely. Woman of 9.9 Million is a unique storyline and will definitely surprise you.
If you like murder mysteries, please stop whatever you are doing and go watch Mouse immediately. I mean… just do yourself this one favor. You’ve undoubtedly earned it. I’m sure you work hard. I’m sure you’ve suffered through enough mediocre and forgettable dramas that you have qualified yourself for a reminder of how good a really good K-drama can be when they get everything right.
I loved this show. It was a perfect 10/10, in my humble opinion.
I love a drama that rewards you for watching it. One that has been intricately plotted before production started. You can always tell when this is the case because you have plant and payoff scenes throughout. Little interactions, little cut scenes, little details that just barely caught your eye in early episodes will be brought back later as major revelations and huge plot twists. This show knew where it was going from the first episode and just circled around you a few times like a predator before pouncing and sinking its teeth in. By the end of the second episode, I was completely at the mercy of this drama.
If, by chance, you are reading this review trying to decide whether or not to commit 20 hours of your life to this show, then let me say again, YES. Yes, you should.
It’s about serial killers. That’s all you need to know. That’s it. Just… trust me.
Don’t read any more reviews and for the love of all things holy – do not wander onto the internet in search of spoilers. If you find yourself confused at any point, don’t seek to have your questions answered outside the drama. The drama will tell you everything. It will make it abundantly clear who is who, what is what, and why. Just wait for it. I know we are all accustomed to instant gratification and carry around search engines in our hands, but just… don’t do it.
RESIST THE SPOILERS.
Let the mystery unfold.
Cause if you do – you are gonna have the most enjoyable experience with this show. Your jaw will drop. Your eyes will pop out in surprise. Not once, but twice, my hand flew to my mouth as I audibly gasped with shock. I cried “OH MY GOD!” out loud, to no one, multiple times. I mean… there are plot twists, and then there is Mouse. This show turned a bunch of messy plotlines into a gorgeous, intricate work of knotted art. Spiders everywhere are watching Mouse thinking “Oh, wow, now that’s a freakin’ web!”
The most enjoyable mysteries are the ones that let you get a few things right, so you can congratulate yourself on your deduction skills, but ultimately push you into a dark room and leave you guessing until the very end.
Of course, the story relies greatly on the acting skills of the cast to make it believable. To draw you in with their performances as their character arcs bend and shimmy and attempt a few feats of now-you-see-it-now-you-don’t. The casting of this show was perfect, down to the most minor characters. Everyone brought their A Game, grounding their characters with passion and heart while understanding the shades of gray this drama wanted to highlight.
This show is not a romance. It’s not a comedy. It’s not an action flick. It’s not a melodrama. It’s a mystery. It’s a mystery about serial killers, so if you don’t want to see some mangled limbs and curiously blurred knives, then you are the only person I steer clear of this masterpiece.
Hopefully this gushing enthusiastic “review” is enough to get you started on Mouse. If at any point you start to feel slightly… comfortable… while watching, then don’t worry – a bomb is about to explode and redirect the entire narrative.
“You thought it was a story about this? Oh no, it’s about this.”
(excited by the change in the story line, you settle in)
“Or… is it…” (drum roll) “this?”
(you gasp and resist texting all your friends about the crazy plot twist you have just experienced)
“You liked that, huh? Well, what about this?!”
(waits until you’ve finally recovered from the last four panic attacks and plot twists before jumping out from behind another mystery door)
“OR IS IT THIS?!!!!”
(you fall over dead from shock – but the drama comes in with automated external defibrillator)
(you come back to life, severely shaken)
“Oh… we’re not done…”
(the insanity continues even into the post-credit scenes of the last episode. you have left your body by this point and ventured into Korean Drama Nirvana)
Overall Rating – 10/10. The Less You Know Going In, The More This Show Will Fuck You Up (in a good way, I promise).
Awaken was one of those rare dramas that tagged all of my favorite tropes. Compelling, badass male lead with swagger and a secret past? Check. Courageous, self-reliant badass female lead? How about two? Check, check. Is there a complicated “murder wall” with a bunch of photos and papers tacked up that someone obsesses over? Oh, we’ve got two of those too. It’s gonna blow your mind. Check, check. How about ominous overtones of dark forces, corruption, and shocking evildoing lurking just below the sunny surface of Seoul? Check, check, check. Really cool synth music that sets a tone and doesn’t overpower? Check, baby. What do you think this is, Prisoner with its overly bombastic soundtrack that makes every episode feel like a cartoonish Scooby Do cartoon? Heck no, this is the cool Namkoong Min show. We’re all synth and slink here.
I stayed up into the wee hours of the morning to finish this series, hooked from the opening shot and not content to leave the couch until I had all the answers to the mystery.
Namkoong Min once again proves he’s A-List All the Way with this stellar performance as a chief detective with a secret agenda. Does anyone swagger more than Namkoong Min? Maybe Kim Na Gil, back in the day… but otherwise, no. No one. Namkoong swaggers into every scene, sucker stuck in his mouth, zero tension in his body but you can sense all the action churning around in their minds. His eyes are alert and constantly assessing while he leans comfortably into walls. You know he’s aware of everything, that he hasn’t missed a clue, but you also know he’s not about to clue you in on that fact unless it serves his purpose.
Can I just say now that I am deeply annoyed GIFs are no longer supported through my website software? Cause I saved about a dozen gifs of Namkoong Min just slinking about in this show, grinning and causing trouble and looking cool as hell.
The man was born for this role. He’s just such a cool shark, gliding through the waters.
The female leads were also outstanding.
We get our cool as a cucumber FBI agent from America – incredibly intelligent, gorgeous, and blunt. She’s level headed and practical and detail oriented…
She’s also socially awkward and suffering from ever-increasing OCD behavioral ticks…
the exact opposite of our second female lead, who is impulsive, outspoken, and a bit insecure of herself around our male lead and the new FBI lady.
But the girl can kick ass and run for miles without slowing down. She’s so feisty and headstrong, I loved her!
To balance out our enigmatic male lead we got two competent and unique female characters, each with their own agendas and stakes in the plot.
And oh what a plot!
As it’s a mystery-thriller, so I will not dive into spoilers or a long analysis of the series. Instead, I’ll give you a basic outline.
26 years ago, something horrible went down at hospital/research facility. This is the opening scene of the drama – and quite a shock! People are randomly attacking each other and/or committing suicide – all with pleasant smiles on their faces as the facility goes up in flames around them. Here in the fiery inferno of madness, we find three children, seemingly unaffected by whatever is happening to the adults. One of them gives us a creepy speech:
I am standing on an empty road all by myself. The sun is shining brightly, and the clock that’s never wrong says it’s 12. Then, I wonder to myself, “Is it noon or midnight?”
What does that mean?! It was cryptic and enigmatic and had me totally hooked. I don’t know about you… but I was ready to settle in for the long haul after that scene. What in the world just happened? Who are those kids? What sorta freaky facility is this and what were they up to?
Welcome to the White Knight Village!
This is the foundational mystery of the series – and you will have a very good time finding out the answers.
This drama is “Sci Fi Light,” as I like to call it. There’s some science fiction elements… with mad scientists and nefarious human experimentation projects… but it does not lean too heavily into this aspect. Awaken is not the Avengers, after all, oh no no. None of that bash you in the face with it, spell it out for you in block letters, overt American-style super hero nonsense here, oh no no. Awaken is gonna sneak it in subtly, little hints here and there. You might even forget you’re watching a science fiction show for a while, distracted by the police procedural elements or the human relationship drama… but then it reminds you. It gives you chilling backflashes, suspicious “something ain’t right about that” scenes, creepy lingering stares filled with subtext, layer by layer as you get closer to the dark heart of the mystery behind the White Knight Village and the massacre you witnessed in the first episode.
I absolutely LOVE the slew of mad scientist storylines coming out of South Korea in the past year or so. That’s a trope that never gets old, in my opinion. With all the miracles of modern technology and medical sciences, it’s frankly shocking we don’t have more of these dramas globally.
On a more random note, perhaps, I’m pleased that South Korean mad science shows don’t try to convince us of the realism of their experiments, either. There is nothing more annoying than pandering to the small percentage of fans who are gonna pull out their dry erase markers and draw us a diagram of how and why some mad scientists’ project is unrealistic and thus deserving of scorn. I don’t care in the least if genetically altering humans isn’t plausible. No one stopped enjoying Spider Man or the Hulk because they thought the science behind their transformations was faulty.
The more outlandish and overdramatic the science project the better, in my opinion. I want secret laboratories and mad scientists with wild hair and white coats who make grand speeches about why they’re destined to control nature and bend it to their wills. I want unrealistically dark corridors and medical wings with no overhead lighting. Give me brains floating jars and syringes full of neon green liquid! (speaking of – we’ll get into this more with my review ofL.U.C.A.: The Beginning… which I am L.O.V.I.N.G.: Every Minute of It).
This series had deliciously devious villains. Each of which were as enthralling and complicated as the protagonists. Let’s face it, we’re all suspect of rich people… so it’s not a stretch of our imaginations to believe they’d be up to no good.
Though I’ve seen this listed as a romance… I’d be reluctant to call it that. It’s got romantic elements, for sure… with some serious simmering stares and pining from afar, but you’re not gonna have any piggy back rides or hangover soup scenes with this show. They’re all too busy trying to stop people from spontaneously committing suicide and keeping secret organizations from taking over the world to have time to go on dates or make out in an alley way. Which is honestly a little unfortunate, cause they could have squeezed it in. There was room. They made it work in other dark mystery dramas like Hello Monster, so I know it can be done. But c’est la vie. It’s my only gripe and really more of a side note.
So go watch Awaken! It was great.
Overall Rating: 9/10. Secret Science Projects of the Wealthy Elite and Why to Fear Them.
“I’ll Give You The Sun” is a story about fraternal twins, both resoundingly artistic with jealousies and rages that compete with mythological gods. This story is told in alternating voice, between the siblings, and in alternating times… before and after. Before what and after what are the mystery of the novel – and there are several befores and several afters hidden in the pages. In the end, it’s a heartbreakingly beautiful story about family, unconditional love and conditional love, first loves and deep seeded regrets. The plot in itself is outstanding – a very richly layered story with fully realized characters, both young and old. I feel in love with everyone in this story, and saw a little bit of myself reflected in each of them.
But the story is not what makes this book great – it would have been pretty good if anyone wrote this plot, probably – but what makes this book shine is revealed in the cover: huge implications in small words, “I’ll give you the sun” indeed – the title surrounded by a radial explosion of colors. That’s what this book is – words crafted so unusually, so cleverly, so astoundingly that they paint in your head. It’s overwhelming at first, all that language, all those images, but it tames down a bit after a while. Or maybe I just grew accustomed to it after a while, I’m not sure. I’ll have to re-read it for closer inspection. And I’m sure I will re-read it.
Though I loved all the love stories in this book (there is more than one), the one that hit me hardest was Noah’s. Torment, fascination, recognition… and always that burning question “Are they?” I cried on and off repeatedly while reading it – sometimes with joy, too. The only problem I had with the book was the character of Zephyr… and the bag of mixed messages there, but it’s only a side plot so I’ll happily put it aside for now and just bask in the contentment of finishing an excellent book. Anyways, it was a remarkable novel and I highly recommend it.
“Why do the monsters eat girls?” she asked at last.
“Because,” Marion answered, looking beyond Zoey to the sea, “when a predator hunts, it seeks out the vulnerable. The desperate.”
Zoey’s laugh was bitter, “Oh, and we poor delicate girls are vulnerable and desperate, is that what you’re saying?”
“What I’m saying,” Marion said, now looking right at Zoey, her gray eyes bright, “is that girls hunger. And we’re taught, from the moment our brains can take it, that there isn’t enough food for us all.”
I finished Sawkill Girls by Claire Legrand yesterday – and it’s a great spooky YA book. A monster lives on a small island populated by the wealthy elite – and it feeds on the innards of teenage girls. There’s a lot going on in this book – but at its heart its about girls and how disposable they are in society. It’s about female anger and how girls fight back.
I loved this book – but I confess I wanted more from it (which I’ll dive into below in the spoilers section). Overall, it was an enjoyable, spooky book and I definitely recommend it to those who seeking a good, bloody story featuring a diverse (in color and sexuality) cast.
I desperately want there to be more books in this series. All my fingers and toes are crossed for further exploration into the pocket dimensions, powers, cults, and monsters lurking in new books. Even if it’s different characters each time, she’s opened a window into a very unique world and I want to go there again and see more.
Every once in a while you stumble on a compulsively readable story. Sometimes it gets you right away, sometimes you don’t notice until you’re a hundred pages in, but you’re hooked – and you can’t stop. You literally can’t stop turning the pages. Exhaustion usually forces you – and you crawl into bed with your head swirling and wake up a few hours later feeling elated, thrilled about the prospect of jumping back into the story. You waste no time – you get yourself a cup of coffee and disappear into the page again.
Night Film by Marisha Pessl was a compulsive read. A heavy book, pages interspersed with journal articles, website screenshots, investigative notes, medical reports, and photographs. The pages were silky smooth, like quality printing paper. I picked it up randomly from my TBR pile last night… and read it until 2AM, when I couldn’t keep my eyes open any longer… then picked it right back up this morning.
I was intrigued. I was haunted. I was picking up pieces of a puzzle, hearing echoes, listening to rumors and letting my imagination run wild. It’s a terrific mystery, in my opinion, changing shape as it gets bigger. Extremely fast paced and moving quickly around the chess board – you’re never sure if you’re the pawn or the queen. I loved it. I loved its rather ambiguous ending – What is true and what is myth?
Ironically, the characters are rather boring and cliche. In a way, this worked very well with the theme – that what we imagine, the stories we tell ourselves and are entertained by, reveal more of our true natures than our daily lives. None of the three main characters were that compelling – but what drove them, what caught them up in the mystery, how they each were pulled in by it and changed – that was fascinating. The people they encountered, the enigmas they attempted to decipher… the secrets, which often revealed themselves to be sour disappoints or shoddy ordinary events, doubled down on this theme – these things were dazzling and full of life. The mystery solved is boring. Answers do not enchant us – what ifs do.
So if you like mystery – and dark turns down darker passages – that don’t rely on descriptions of gore or horror, but rather the implication of such – then this book is for you.
Bone Gap is a quiet and masterful tale of two brothers living in a small town whose lives are changed by the mysterious appearance of a beautiful Polish immigrant. Roza is a friend and beacon of hope to 18 year old Finn, known for his dreamy, absentminded behavior – and a spark in the heart to older brother Sean, who gave up his dreams long ago after their mother abandoned them. Just as suddenly, Roza is gone again – abducted by a stranger Finn can’t describe.
The town of Bone Gap puts its head together and murmurs – was it foul play? Did she abandon them too, fly away as fast and thoughtlessly as their mother? Does Finn know more than he’s letting on?
Burning, a Korean film starring Yoo Ah-In, Jeon Jong-Seo, and Steven Yeun, is a bleak, atmospheric examination of the modern man. And by man I mean mankind, both men and women. It’s based on the short story Barn Burning from The Elephant Vanishes by author Haruki Murakami.
Yoo Ah-In, one of my all time favorite Korean actors, plays a young man who is struggling. In every way imaginable. He struggles to find work. He struggles to come to terms with his upbringing. He struggles to relate to people. He struggles to piece together sentences. You can almost hear the wheels creaking as he struggles to form his own thoughts. It’s ironic that he considers himself a writer, even though there is little evidence of this aspiration around him. Yet perhaps it is most telling that he yearns to find a way to express himself, as this seems to be the insurmountable task of life.